Mixed Media

Mixed Media

Vignette: Steve Heine

“Sonnet” by Steve Heine, random text, laser-cut steel, small-diameter magnets, primer, poplar, 30x30x2in, 2019, $3900

“Sonnet” by Steve Heine, random text, laser-cut steel, small-diameter magnets, primer, poplar, 30x30x2in, 2019, $3900

Interdisciplinary is a word that has dominated art conversations for the past ten years or more. Aside from the more obvious mash up of mediums and disciplines, a more subtle result is the occasional work that conjures rich associations with other forms. Steve Heine creates commissioned architectural glass for homes and corporate clients, and in “Sonnet” has shifted from purely abstract forms to the use of letters to pull our attention into the composition. We demand that it be readable, we search for words among the endlessly overlapping letterforms, and the title leads us to expect nothing less than the words of William Shakespeare.

But Heine has a trickier premise for this work: “The ‘infinite monkey theorem’ states that a monkey striking keys at random on a typewriter for an infinite amount of time will almost certainly type out the complete works of William Shakespeare. With this new piece, I’m interested in the iteration and abstraction of randomly generated text to create a visual spell of line, light and shadow.”

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Heina has work throughout the region, including the Marriott AC NuLu Hotel, Decca Restaurant, Jewish Hospital Medical Center South, Owensboro Health Regional Hospital, Sacred Heart Schools’ Ursuline Arts Center, KMAC and Faulkner Real Estate.

“I see my artwork as small-scale architecture—the process of making and an emphasis on materials are vital for me. My current work is primarily explorations via low-relief mixed media: I’m concerned with the thoughtful manipulation of surface and the modulation of light, color and shadow. I’m drawn to Minimalism and to spare yet potent built architecture [where I see it in the world]. I’m interested in creating work that is “quiet”, balanced and resolved, and distilled to its essential elements.”

“Honeycomb Clouds” by Steve Heine, laser-cut and folded steel, maple, integral LED panel, 48x48x4in each, 2018, NFS

“Honeycomb Clouds” by Steve Heine, laser-cut and folded steel, maple, integral LED panel, 48x48x4in each, 2018, NFS


“Cloud Panels” is a permanent installation at the Marriott AC NuLu Hotel on E. Market Street in Louisville, and was accomplished in collaboration with Louisville Visual Art. “Although I usually envision these panels in blues or violets, the color can be changed at any time via a small, hand-held, wireless remote control. The range of available colors is virtually unlimited. The hotel currently has ‘Honeycomb Clouds’ programmed to continually shift through a wide range of colors.”  


Recent recognition includes:

•2018: "Beetle", a small hollow-core vessel cast several years ago from recycled light bulbs, was selected for "Celebrating American Craft—Southern Style", survey of contemporary craft across the American South, at Vanderbilt University.
•2018: A permanent installation at the Marriott AC NuLu Hotel was featured in LEO Weekly.  

Hometown: Louisville, Kentucky
Education: BS, Architecture, University of Kentucky
Website: craniumglass.squarespace.com
Instagram: instagram.com/craniumglass/

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“Cloud Extrusion” by Steve Heine, laser-cut and folded steel, primer, poplar, integral LED panel, 30x30x3in, 2018, $3900

“Cloud Extrusion” by Steve Heine, laser-cut and folded steel, primer, poplar, integral LED panel, 30x30x3in, 2018, $3900

“Cloud Extrusion” (multiple images) by Steve Heine, laser-cut and folded steel, primer, poplar, integral LED panel, 30x30x3in, 2018, $3900

“Cloud Extrusion” (multiple images) by Steve Heine, laser-cut and folded steel, primer, poplar, integral LED panel, 30x30x3in, 2018, $3900


Written by Keith Waits. Entire contents copyright © 2018 Louisville Visual Art. All rights reserved. In addition to his work at the LVA, Keith is also the Managing Editor of a website, Arts-Louisville.com, which covers local visual arts, theatre, and music in Louisville.

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Mixed Media

Vignette: Janis Kirstein

“Freedom Collage” by Janis Kirstein, Mixed Media, 24x36in, 2018, $1000

“Freedom Collage” by Janis Kirstein, Mixed Media, 24x36in, 2018, $1000

Janis Kirstein is a painter, photographer, and writer, but primarily a painter. She combines a mixture of media and collage, including acrylic, pastel, colored pencil, & Photoshop, Sumi-E Ink and Japanese Rice paper. In the work we see here, the energy is loose and spontaneous, at times nearly explosive, betraying the level of discipline required in both the composition and the technique.

“The Majestic Horse Race” by Janis Kirstein, Mixed Media, 20x32in, 2018, $750

“The Majestic Horse Race” by Janis Kirstein, Mixed Media, 20x32in, 2018, $750

“I love making collages,” states Kirstein. “Action painting has been my joy for more than 30 years and continues to this day, today, using Sumi-E ink and a Haiki brush. I add torn scraps of Japanese rice paper and combine a variety of media including paint, watercolor, graphite, ink, colored pencil - even glitter, all to capture the free flowing creative energy that surrounds me at any given moment.”

“To achieve the atmospheric abstraction seen in my work, I make use of transparent layering. My canvases and paper works range in size, the scale of my pieces ranging from my use of the Nano image to images of outer space. That means all realities are visible simultaneously, which creates a paradox or sense perceptive omnipotence within you, the perceiver; much like being able to see all dimensions of reality within one gaze.” 

Kirstein speaks of her work using cosmic nomenclature suggesting a meaningful spiritual component. Abstraction opens the mind to welcome a subjective interpretation, and it can be fascinating to imagine the range of response, yet the calculated choice made by the artist even when they are giving themselves over to the organic experience of creative expression will usually be a guide for the viewer.

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Hometown: Louisville, Kentucky
Education: Master of Fine Art, University of Massachusetts, Amherst, 1981;
Bachelor of Arts, University of Louisville, KY, 1977;
Indiana University Bloomington, 1973-75
Website: kirsteinfineart.com
Instagram: janiskirstein

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All artwork is copyright ©Janis Kirstein 2015. Unauthorised use and/or duplication of this material in whole or part without express and written permission from this blog’s owner is strictly prohibited. Links may be used, provided that full and clear credit is given to Janis Kirstein and http://www.kirsteinfineart.com, with appropriate and specific direction to the original content.

“Moment in Time” by Janis Kirstein, Mixed Media, 20x32in, 2018, $750

“Moment in Time” by Janis Kirstein, Mixed Media, 20x32in, 2018, $750

“Jungle Heat” by Janis Kirstein, Mixed Media on stretched canvas, 32x48in, 2017, $2000

“Jungle Heat” by Janis Kirstein, Mixed Media on stretched canvas, 32x48in, 2017, $2000

“Frankfort Avenue” by Janis Kirstein, Mixed Media on stretched canvas, 32x48in, 2018, $2000

“Frankfort Avenue” by Janis Kirstein, Mixed Media on stretched canvas, 32x48in, 2018, $2000

Written by Keith Waits. Entire contents copyright © 2018 Louisville Visual Art. All rights reserved. In addition to his work at the LVA, Keith is also the Managing Editor of a website, Arts-Louisville.com, which covers local visual arts, theatre, and music in Louisville.

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Mixed Media

Open Studio Spotlight: Deb Ogburn

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The heart is a symbolic shape that has been so ubiquitous in culture for so long – how many thousands do we see in the month of February? – Yet, despite such saturation, we are never exhausted by it. Perhaps is it is simply a measure of how deeply we crave love, and never feel we have enough. Deb Ogburn unashamedly brings the form to the forefront in her work.

“The GateKeeper” by Deb Ogburn, Mixed Media on gallery profile canvas, 12x12in , 2017, $75

“The GateKeeper” by Deb Ogburn, Mixed Media on gallery profile canvas, 12x12in , 2017, $75

“My most recent body of work is a series inspired by my therapeutic work with veteran clients and the hearts we painted for graduates of HUD-VASH, a program striving to end the cycle of chronic homelessness. I used acrylic and mixed media on gallery profile stretched canvas, depicting various renditions of the heart symbol. In addition, I sometimes use modeling paste, wax finishes, beading and ephemera. I work intuitively, following my attractors in the moment. My process is reflective of the emotional landscape of the human spirit as we encounter life. Multiple layers of paint add complexity and depth to the pieces. This body of work is largely about resilience. These pieces have helped me release the emotional residue of the therapeutic work I do daily with my clients. It has been a part of my self-care to work through encounters with various media and techniques, and to find a resting place for each of these hearts.”

“Prior to my heart series, I explored a series of images incorporating mono prints on and with preserved autumn leaves, in an inquiry about the beauty of aging. Earlier works were acrylic paintings on paper, oil pastel and Prismacolor drawings, encaustic on wood and digital manipulations of photographs, largely in an exploration of my nightly dreamscapes.”

“An Expressive Arts Therapist / Coach by profession, I am an explorer of multi-modal processes and media, including visual arts, dance, music, poetry and drama. I’ve found that “mistakes” are often “happy accidents” and I trust that I can make something beautiful out of my learning—a crucial tenet that I impress upon my clients. My coaching informs my art and my art informs my coaching.” 

“I’m currently exploring texture as under painting, enjoying the richness of it beneath line and translucent layers of interference color defining forms found in nature. This process is relevant to my own journey as I employ transparency in my work as a coach. Our personal experience is what gives us "texture" and makes us unique.”  

“Touched” by Deb Ogburn, Mixed Media on gallery profile canvas, 12x12in 2017, $65

“Touched” by Deb Ogburn, Mixed Media on gallery profile canvas, 12x12in 2017, $65

Art Exhibitions / Performance

La Jolla Art Association, Juried Exhibition, (photography/digital art), La Jolla, CA

LifeStage, Art Exhibition (mixed media), Sushi Performance & Visual Art, San Diego

Brain Storms / Soul Storms, Juried Art Exhibition, Sushi Performance & Visual Art, San Diego, CA

Whose Dream is This Anyway? (Writer / Director) Performance & Visual Art Exhibit, Expressive Arts Institute, San Diego, CA

The Art of Dreaming, Solo Art Exhibition (photography, painting, mixed media), Expressive Arts Institute, San Diego, CA

Loose Threads from the Tapestry, (performance art), Sushi Performance & Visual Art, San Diego, CA

Gestation, Solo Art Exhibition (photography, painting, mixed media), Expressive Arts Institute, San Diego, CA

Association for the Study of Dreams, National Juried Exhibition (drawing, mixed media), Washington, D.C.

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Deb Ogburn is participating in the 2018 Open Studio Weekend, sponsored by Louisville Visual Art and University of Louisville’s Hite Art Institute. His studio, located in the Germantown neighborhood, will be open the weekend of November 3 and 4. Tickets for Open Studio Weekend will go on sale October 16. Click here for more information. 

 Education: BS Design, 1980, University of Cincinnati College of Design, Architecture and Art
Professional Diploma Expressive Arts Therapy, 2002, Expressive Arts Institute San Diego
MA Expressive Arts Therapy, Coaching and Consulting, 2004, European Graduate School, Saas Fee, Switzerland
Website: Arts4Evolution.com
https://www.pinterest.com/502atimeforart/dlogburn-art/

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Autumn Prelude by Deb Ogburn, Acrylic on paper, 36x24in, 2018,  $145

“Beguiled” by Deb Ogburn, Mixed Media on gallery profile canvas, 12x12in, 2017, $75

“Beguiled” by Deb Ogburn, Mixed Media on gallery profile canvas, 12x12in, 2017, $75

Written by Keith Waits. Entire contents copyright © 2018 Louisville Visual Art. All rights reserved. In addition to his work at the LVA, Keith is also the Managing Editor of a website, Arts-Louisville.com, which covers local visual arts, theatre, and music in Louisville.

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Mixed Media

Vignette: Sid Webb

“Ohio River” by Sid Webb, Print, mixed media, 12x18in, 2018, $125

“Ohio River” by Sid Webb, Print, mixed media, 12x18in, 2018, $125

Sid Webb is an artist who moves in many directions. He pioneered the use of digital design and graphics with Kentucky Educational Television, is an accomplished photographer, and knows his way around a paintbrush.

Much of his photography is fairly straightforward and observational, but this image of Porta, Portugal bridges the mediums with the precision of a photograph joined with the color and surface textures of a painting.

“Easy Chairs” by Sid Webb, Print, mixed media, 12x18in, 2018, $125

“Easy Chairs” by Sid Webb, Print, mixed media, 12x18in, 2018, $125

In the two oil paintings shown, Webb injects fresh perspective into commonplace settings along the Ohio River by emphasizing their intimacy. Instead of a grand view of the landscape, the point-of-view is from the ground, and there is a distinct sense of people in residence along the river – those two Adirondack chairs indicate privileged moments shared over a lifetime. It feels like a community separate from the defining civic boundaries of city and county. The geography, the elements, and the flow of the water shape life here.

Webb’s mark making is disciplined yet spontaneous. The brushwork communicates the action of painting: the loose yet intentional movement of the brush and the connection between what the eye observes and what the hand will render. The light is subdued, diffuse, an overcast day in the dog days of summer before the leaves begin to turn.

On September 29, Webb will be part of the Louisville Visual Art’s Juried Exhibit in the 2018 Portland Art & Heritage Fair. The exhibit will be available for viewing at the Marine Hospital from 11am-5pm. Jury prizes will be awarded at 2:00pm.

Hometown: Lexington, Kentucky
Education: Majored in journalism and political science, University of Kentucky; Atlanta School of Art (High Museum)
Websitehttp://www.sidwebb.com/

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“Porta, Portugal” by Sid Webb, Photograph, 12x18in, 2018, $125

“Porta, Portugal” by Sid Webb, Photograph, 12x18in, 2018, $125

“Bridges” by Sid Webb, Photograph, 12x18in, 2018, $125

“Bridges” by Sid Webb, Photograph, 12x18in, 2018, $125


Written by Keith Waits. Entire contents copyright © 2018 Louisville Visual Art. All rights reserved. In addition to his work at the LVA, Keith is also the Managing Editor of a website, Arts-Louisville.com, which covers local visual arts, theatre, and music in Louisville. 

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Mixed Media

Vignette: Philip High

"City by the River" by Philip High, Acrylic and mixed media on wood panel - Painted paper collage. 40x29.75in, 2018, $1400

"City by the River" by Philip High, Acrylic and mixed media on wood panel - Painted paper collage. 40x29.75in, 2018, $1400

Even before he called himself “artist”, Philip High was a collector. It is such a common characteristic for artists for at least the last 100 years or so, certainly since Marcel Duchamp made us view seemingly ordinary and mundane objects through a different lens. Art makers were recycling materials long before it became fashionable.

For High, these items are both inspiration and medium: “Rocks, seed pods, scraps of metal and paper, thoughts personal and proverbial, and more, have all filled boxes and notebooks or been on display at some point. For me, they serve as objects of wonder and contemplation, reminding me that every form we perceive is a record of the unseen forces that created it.”

"Ethereal Picnic" by Philip High, Sumi-e and mixed media on aluminum, 24x18in, 2017, $700

"Ethereal Picnic" by Philip High, Sumi-e and mixed media on aluminum, 24x18in, 2017, $700

“Similarly, my art combines collected visual fragments from nature and personal experience – both objective and abstract – in a search for relationships that activate the imagination and suggest meaning.”

“I prefer to work in mixed media - also reflecting my eclectic tendencies – incorporating conventional and unconventional materials and techniques such as: acrylic painting on Tyvec collage, sumi-e on aluminum, monotype, digital drawing, found wood, and concrete. Broadly, they fall into three categories: works on paper, wall-hung assemblage, and freestanding constructions.”

High’s works are dense visual constructions that incorporate all of these collected intelligentsia, highly personal assemblages of color, texture, and form that achieve a crucial balance of the cerebral and the visceral. The relationships are seductive but built upon a tight schematic foundation that echoes the discipline of Zen meditation. There is a profound sense of peace to be found there.

After graduating from the University of Kentucky, High moved to Atlanta, Georgia where he began a career in graphic arts. He returned to Lexington in 1989 and in 2012 moved to Louisville where he now lives. He is currently working on a Triptych commission for a medical center in Virginia, and four of his pieces have been added to the University of Kentucky Medical Center collection.

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He has received regional, National and International awards for fine art and illustration in both traditional and digital media, as well as two Professional Assistance Grants from the Kentucky Arts Council.

On September 29, High will be part of the Louisville Visual Art’s Juried Exhibit in the 2018 Portland Art & Heritage Fair. The exhibit will be available for viewing at the Marine Hospital from 11am-5pm. Jury prizes will be awarded at 2:00pm.

Hometown: Louisville, Kentucky
Education: University of Kentucky, Fine Art: painting, 3 years, degree uncompleted.
Website: philiphigh.com
Instagram: highphilip/
Gallery Representation: Main-Cross Gallery, Lexington, KY, Mulberry and Lime, Lexington, KY, New Editions Gallery, Lexington, KY, Zephyr Gallery, Louisville, KY

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"In The Shallows" by Philip High, Acrylic and mixed media on Tyvek, 21x26in, 2015, Sold

"In The Shallows" by Philip High, Acrylic and mixed media on Tyvek, 21x26in, 2015, Sold

"The Labyrinth Makers" by Philip High, Mixed media assemblage, 31x50in, 2017, $2400

"The Labyrinth Makers" by Philip High, Mixed media assemblage, 31x50in, 2017, $2400


Written by Keith Waits. Entire contents copyright © 2018 Louisville Visual Art. All rights reserved. In addition to his work at the LVA, Keith is also the Managing Editor of a website, Arts-Louisville.com, which covers local visual arts, theatre, and music in Louisville.

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