women painters

Painting

Vignette: Amy Welborn

“Summer Sunflowers” by Amy Welborn, Oil, 24x30in, 2019, $1200

“Summer Sunflowers” by Amy Welborn, Oil, 24x30in, 2019, $1200

Nature is often connected to divinity. Even among agnostics there is often found a deep spiritual relationship to the natural world.

The other common spiritual association is in the act of creation – the act of making art. Painter Amy Welborn sees herself as part of the centuries-old tradition of painting landscapes as an expression of religious belief. 

“My work is typically created from oils in vibrant colors and lush brushstrokes. God's creation and man's connection to the land never cease to provide inspiration for me. Everywhere I look, I find God's joy in design. When I slow down to pay attention to what I see, I find the essence of holiness; God's thumbprint in all creation is evident. Translating my awe for God's amazing planet into paint is my lifelong passion.”

An engineer by profession, Welborn began painting with oils as a hobby, but eventually was encouraged by friends to begin exhibiting in community art festivals. As do so many plein air painters, she finds order and pattern in her observations. The hand of humankind imposes some of that discipline: the occasional fence line or a field furrowed for planting. But the greater harmony emerges from the relationships between the elements: the rolling hills seen beyond the fields, and the trees that break the horizon to reach into the sky.

Although Welborn’s style is typically naturalistic, she incorporated aspects of primitivism in her mural for the Dixie Highway Kroger in Louisville, "Bird’s Eye View of Louisville".

Welborn teaches children and adult art classes through the Arts Association of Oldham County. 

Recent Exhibitions:

2017 - “Joie de Vivre”, group show with Louisville, KY artists and Dijon, France artists, Louisville Metro City Hall, KY
2017 - “Joie de Vivre”, group show, Dijon, France
2017 - Governor’s Derby Exhibit, juried exhibition, Rotunda of the Capitol, Frankfort, KY 

Amy Welborn with the Dixie Hwy Kroger Mural

Amy Welborn with the Dixie Hwy Kroger Mural

“Snow & Sycamore” by Amy Welborn, Oil, 8x10in, 2018, $400

“Snow & Sycamore” by Amy Welborn, Oil, 8x10in, 2018, $400

Public Collections:
Owensboro Medical Health, Henderson Clinic, Henderson, KY
Owensboro Medical Health, Madisonville Urgent Care, Madisonville, KY
Cincinnati Children’s Hospital. Cincinnati, OH
NICoE Camp LeJeune, Jacksonville, NC
Riverside Hospital Surgical Expansion, Newport News, VA,
Owensboro Medical Health, Henderson Clinic, Henderson, KY
Lanthier Winery. Madison, IN

Home: LaGrange, Kentucky
Education: Bachelors of Science in Civil Engineering, Purdue University
Website: PaintingsbyAmyWelborn.com
Gallery Representation: Gallery 104 (LaGrange)

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“Brush of Spring” by Amy Welborn, Oil, 24x24in, 2018, $650

“Brush of Spring” by Amy Welborn, Oil, 24x24in, 2018, $650

“Graf Farm Revisited” by Amy Welborn, Oil, 11x14in, 2018, $450

“Graf Farm Revisited” by Amy Welborn, Oil, 11x14in, 2018, $450

“After the Storm” by Amy Welborn, Oil, 16x20in, 2017, $800

“After the Storm” by Amy Welborn, Oil, 16x20in, 2017, $800


Written by Keith Waits. Entire contents copyright © 2018 Louisville Visual Art. All rights reserved. In addition to his work at the LVA, Keith is also the Managing Editor of a website, Arts-Louisville.com, which covers local visual arts, theatre, and music in Louisville.

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Painting

Vignette: Macel Hamilton

“Rooster” by Macei Hamilton, Acyrlic on wood, 12x18in, 2018, Private Collection

“Rooster” by Macei Hamilton, Acyrlic on wood, 12x18in, 2018, Private Collection

“Serious” art people are often skittish about paintings of animals; simple, straightforward, portraits of pets are the work of “hobbyists” they might say. Yet the concept that any artist’s practice draws directly from their immediate environment and experience is a common point of discussion in any critical appraisal.

Macel Hamilton resides in the knobs of Casey County, Kentucky, a rural area in in which her menagerie of12 dogs and 12 cats is not that unusual. So why shouldn’t these plaintive yet precocious subjects serve as a valid expression of Hamilton’s environment? Hamilton was raised in the hills of Eastern Kentucky, so the attachment to the land and its non-human inhabitants comes naturally to Hamilton.

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A nurse by profession, Hamilton has only been painting for about 4 years, and for having painted for so brief a time, there is authoritative us of the brush in capturing the details of this “Rooster” that is compelling. Nothing is overworked. The relative lack of experience seems to have merged with the intimate understanding of subject to finish a simple, naturalistic expression of wariness in this Bantam’s face. It is as individual as any portrait of a human subject.

Hometown: Ligon, Kentucky
Facebook: Macel's art

“Dobey” by Macei Hamilton, Pastel on sanded paper, 14x10in, 2019, Private Collection

“Dobey” by Macei Hamilton, Pastel on sanded paper, 14x10in, 2019, Private Collection

“Horse” by Macei Hamilton, Acrylic on wood, 12x10in, 2018, Private Collection

“Horse” by Macei Hamilton, Acrylic on wood, 12x10in, 2018, Private Collection

“Baby” by Macei Hamilton, Acyrlic on canvas, 16x20in, 2018, Private Collection

“Baby” by Macei Hamilton, Acyrlic on canvas, 16x20in, 2018, Private Collection

“Low Rider” by Macei Hamilton, Acyrlic on canvas, 12x16in, 2019, Private Collection

“Low Rider” by Macei Hamilton, Acyrlic on canvas, 12x16in, 2019, Private Collection

Written by Keith Waits. Entire contents copyright © 2018 Louisville Visual Art. All rights reserved. In addition to his work at the LVA, Keith is also the Managing Editor of a website, Arts-Louisville.com, which covers local visual arts, theatre, and music in Louisville.

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Painting

Vignette: Greta Mattingly

“Forgotten Treasure” by Greta Mattingly, Oil, 24x20in, 2017, $1500

“Forgotten Treasure” by Greta Mattingly, Oil, 24x20in, 2017, $1500

Artists look at the world differently. Their eye is drawn to expressions of grace and beauty in the mundane: the awkward angle of a waiter’s arm as they carry a tray of cocktails, or the very specific light emanating from behind a bar, or the way a telephone pole and power lines frame a part of a building. Such things surround us all, but it is that ability to isolate and capture such impressions that are a foundation of an artist, whether it translates into representational, abstract, or experiential work.

“Bartender Chipping Ice” by Greta Mattingly, Oil, 10x8in, 2018, $400

“Bartender Chipping Ice” by Greta Mattingly, Oil, 10x8in, 2018, $400

Painter Greta Mattingly describes her practice this way: “Every painting starts with a leap of faith. You draw a breath of inspiration from the world around you and take the plunge. There is always that exhilaration in knowing once immersed in the experience it will be memorable.”

In “Forgotten Treasure”, how many times did Mattingly pass by this location before the relationship of winter light and bare branches stopped her in her tracks, a scene demanding to be painted.

In her observational figurative images, there often is little to no detail in the faces of the people, yet in “Pretty in Lace” she captures a haughty, insolent expression on the face of the model, communicating the inherent challenge in the subject’s attitude towards being the focus of attention, as if to say, “just try and capture me on canvas!”

Mattingly has no formal art degree, but for two years she was mentored by impressionist painter James Richards (Atlanta, GA). She has also taken numerous workshops throughout the years with artists such as James Richards, Dee Beard Dean, David Shevlino, Margaret Dyer, Collen Whissey, Charles Walls, Amanda Carder, and Allen Rodgers.

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In May 2019, Mattingly will be included in a Kentucky derby themed exhibit at Kentucky Fine Art Gallery called Win, Place, & Show.

Hometown: York, Pennsylvania
Education: Associates Degree, Camden Co. College, Dental Hygiene; Bachelors Degree, West Chester University, Public Health
Website: gretamattingly.com

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“Pretty in Lace” by Greta Mattingly, OIl, 20x16in, 2018, $950

“Pretty in Lace” by Greta Mattingly, OIl, 20x16in, 2018, $950

“She Needs A Double” by Greta Mattingly, OIl, 11x14in, 2018, $475

“She Needs A Double” by Greta Mattingly, OIl, 11x14in, 2018, $475

“Volunteers of Summer” by Greta Mattingly Oil, 40x30in, 2018, $2400

“Volunteers of Summer” by Greta Mattingly Oil, 40x30in, 2018, $2400

“Summer Pond” by Greta Mattingly, Oil, 24x18in, 2018, $1100

“Summer Pond” by Greta Mattingly, Oil, 24x18in, 2018, $1100


Written by Keith Waits. Entire contents copyright © 2018 Louisville Visual Art. All rights reserved. In addition to his work at the LVA, Keith is also the Managing Editor of a website, Arts-Louisville.com, which covers local visual arts, theatre, and music in Louisville.

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Painting

Vignette: Shawn Marshall

”Dayspring” by Shawn Marshall, Oil on canvas, 24x36in, 2019


”Dayspring” by Shawn Marshall, Oil on canvas, 24x36in, 2019

Shawn Marshall’s most recent Artist’s Statement reads:

”Painting is somewhat of a meditative practice for me; it's an outlet to release intuitive energy and let go of preconceived notions or self-imposed rules about how I interpret and portray the world. My focus on the landscape comes from a fascination with the horizon. As a "third culture kid," I grew up overseas moving often. One of the places my family lived was Beirut, Lebanon in the midst of the civil war in the 70’s. I saw violence and lived in fear. The one thing that appeared to remain peaceful was the landscape, specifically the horizon. The landscape is still an escape for me and the horizon continues to bring hope.”

The words explain Marshall’s continued fascination with the almost empty landscape; it is iconic, and almost sacred for her. This sense of spirituality in landscape as subject is not unusual, but Marshall’s focus on the vanishing point is unique. Specific details of location and season are less important, even when present, than isolating the mirage of a point where land and sky join. Is it the suggestion of wholeness in nature and the universe in general that Marshall find so compelling; that there is always hope somewhere, even if it is not immediately within reach? 

”Vivid Sky” by Shawn Marshall, Oil on canvas, 12x12in, 2019

”Vivid Sky” by Shawn Marshall, Oil on canvas, 12x12in, 2019

Marshall has pushed her landscapes into abstraction for quite awhile, and while these newest paintings are far from naturalistic, there is spontaneity in the brushwork that is a departure. In “Vivid Sky” there is a sense of urgency to the mark making, as if the artist was racing against time to complete the composition.

Marshall’s work is in numerous private collections including PNC Bank, Pittsburgh, PA, Commonwealth Bank, Louisville, KY, and the University of Kentucky Medical Center, Lexington, KY.

Recent Exhibitions:

February-March 2019 “Fresh Paint” - New Artists - Moremen Gallery, Louisville, KY

2018 Open Studio Weekend Juried Exhibition - Cressman Center for Visual Arts, Louisville, KY

Louisville Visual Art Juried Art Exhibition, 2018 Portland Art & Heritage Fair, Louisville, KY

Photo: Jessica Ebelhar

Photo: Jessica Ebelhar

Marshall is a member of ENID, a collective of women sculptors named in honor of Enid Yandell. In recognition of her 150th birthday the group will have not one but TWO exhibits this fall:

ENID: Generations of Women Sculptors at the Louisville Free Public Library August 17 through October 8, 2019

ENID: Generations of Women Sculptors at Bellarmine University’s McGrath Gallery, September 7 through October 5, 2019. 

Hometown: Louisville, Kentucky
Education: 1992, Bachelor of Architecture, University of Kentucky, Lexington, KY; 1996, Master of Architecture, Minor Fine Arts, Cornell University, Ithaca, NY; 2009, Master of Art in Teaching, Bellarmine University, Louisville, KY
Website: www.shawnlmarshall.com
Gallery Representation:
Moremen Contemporary (Louisville) www.moremengallery.com 
New Editions Gallery (Lexington),www.neweditionsgallery.com 

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”Summer Dream” by Shawn Marshall, Oil on canvas, 12x12in, 2019

”Summer Dream” by Shawn Marshall, Oil on canvas, 12x12in, 2019

”Stirring Sky” by Shawn Marshall, Oil on canvas, 24x24in, 2019

”Stirring Sky” by Shawn Marshall, Oil on canvas, 24x24in, 2019

”February Mist” by Shawn Marshall, Oil on canvas, 36x36in, 2019

”February Mist” by Shawn Marshall, Oil on canvas, 36x36in, 2019

Written by Keith Waits. Entire contents copyright © 2018 Louisville Visual Art. All rights reserved. In addition to his work at the LVA, Keith is also the Managing Editor of a website, Arts-Louisville.com, which covers local visual arts, theatre, and music in Louisville.

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Painting

Vignette: Sandra Charles

“Living Monument, Angela Hollingsworth” by Sandra Charles, Oil on canvas, 48x60in, 2019, $4750

“Living Monument, Angela Hollingsworth” by Sandra Charles, Oil on canvas, 48x60in, 2019, $4750

What makes a person royalty? Perhaps it is when they are seen in a regal aspect. Angela Hollingsworth would likely reject such a lofty position, yet Sandra Charles’ portrait of her for the Imagined Monuments exhibit places her in the same attitude that the artist has previously assigned to her series of African Queens. Hollingsworth’s humility is not absent, but it is clothed in rich fabrics and colors that connote a woman in a position of power and respect honestly earned achieved through accomplishment. Imagined Monuments, a Louisville Visual Art exhibit for Louisville’s Metro Hall, runs through July 12, 2019

“My work celebrates the self-esteem of African American women through interpretative portraiture,” Charles explains in her artist’s statement. “Each painting focuses on the expressions that represent our history and the expectations of the future. I look behind the facade of social perceptions that weighs down each of us. My work attempts to capture the removal of this hegemonic veil that covers the struggle between self and the perceived social order. It acknowledges this internal struggle as it fades away from the stereotypical norm towards a truer self. Moving away from traditional portraits, my body of work mixes this history and self together with color and stances that project an attitude of defiance. The facial expression of each woman contains the history of her progress and is a personal statement that captures the confidence of self.” 

“Cynthia as Queen of Ethopia” by Sandra Charles, Oil on canvas, 48x60in 2016, NFS

“Cynthia as Queen of Ethopia” by Sandra Charles, Oil on canvas, 48x60in 2016, NFS

Charles will be featured with two other notable African American women artists in The Art of Elmer Lucille Allen, Sandra Charles and Barbara Tyson Mosley, which will be on display at The Carnegie Art Center For Art and History in New Albany Indiana February 22 through April 20, 2019. It will showcase Charles’ vision of contemporary women who are African Queens walking amongst us, women changing the world through the hard work of social activism and public service. Their leadership is built brick-by-brick, step-by-step, against the fusillade of slings and arrows that are the daily experience in a country divided against itself.

Charles came to her painting career later in life, but since earning her BFA in 2015, she has rapidly gained a high profile in the Louisville art community, selected to be a member of the first cohort of Hadley Creatives (Community Foundation of Louisville) in 2017, granted a solo exhibit at Wayside Expressions Gallery n 2017, at Art Sanctuary for the Kentucky Foundation Of Women’s Summer Residency Exhibit in 2018, and having two paintings chosen for permanent installation in the newly renovated Kentucky International Convention Center. 

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Other recognition:

2017 Mellon-Oberst Family Award, 23rd Annual African American Exhibition, Louisville, KY
2016 Kentucky Foundation of Women Summer Residency Grant, Louisville, KY

Hometown: Hazard, Kentucky
Education: BFA, Painting, University of Louisville
Website:  www.scharlesart.com
Instagram: sandraspaintings

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”Refections of Us” by Sandra Charles, Oil on canvas, 48x60in, 2018, $4750


”Refections of Us” by Sandra Charles, Oil on canvas, 48x60in, 2018, $4750

“Pam” by Sandra Charles, Oil on canvas, 30x30in, 2018, $2750

“Pam” by Sandra Charles, Oil on canvas, 30x30in, 2018, $2750

“Restrained Dreads” by Sandra Charles, Oil on Canvas, 48x60in, 2015, $2750

“Restrained Dreads” by Sandra Charles, Oil on Canvas, 48x60in, 2015, $2750

“Fourth of July” Sandra Charles, Oil on canvas, 36x48in, 2016, $3750

“Fourth of July” Sandra Charles, Oil on canvas, 36x48in, 2016, $3750

Written by Keith Waits. Entire contents copyright © 2018 Louisville Visual Art. All rights reserved. In addition to his work at the LVA, Keith is also the Managing Editor of a website, Arts-Louisville.com, which covers local visual arts, theatre, and music in Louisville.

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