tension

Photography

Vignette: Brett Sutton


“The natural world is truly remarkable and we are an intimate part of this environment.” — Brett Sutton


"Neighborhood Runoff" by Brett Sutton, size made to order, film photography (2016),   f  rom $85 and up |  BUY NOW

"Neighborhood Runoff" by Brett Sutton, size made to order, film photography (2016), from $85 and up | BUY NOW

Photographer, Brett Sutton

Photographer, Brett Sutton

Even a casual study of these photographs from Brett Sutton reveal the common thread of patterns in nature. The black & white images of the city illustrate humankind’s imprint of construction on the urban landscape, the latticework reinforcement of a fire escape and the shadows cast by the late afternoon sun. Sutton crops the main support of the structure out of frame, lending it an unexpected tension.

“While working at Luna Lodge, an eco-lodge retreat on the Osa Peninsula, Costa Rica, I was granted the opportunity to truly connect with the landscape, flora and fauna. The natural world is truly remarkable and we are an intimate part of this environment.”

Sutton’s images of the natural world share that same fascination with pattern, but the color places a greater emphasis on texture, and there is a more epic sense of composition in many of the pictures. He also seeks out unique vantage points; as he explains: “(they can be) hugely important when considering how one connects to and interprets reality, location, and relationship.” He achieves some mystery through abstraction, just as he cropped the fire escape, we here see two runners moving across a mercurial landscape that we can’t quite place, a scene bisected by an indefinable graphic element that visually appears to stop the joggers in their tracks.

"Costa Rican Leaf Cutter Ants" by Brett Sutton, size made to order, film photography (2017), f  rom $85 and up |  BUY NOW

"Costa Rican Leaf Cutter Ants" by Brett Sutton, size made to order, film photography (2017), from $85 and up | BUY NOW

“Not only is my zest for life and vitality enhanced through my creative pursuits but to my connections with others…location, and the environment as well. Whether working in film or digital photography, oil paint, or collages of the bark of decaying trees, I attempt to deliver messages of local-ism, connection to the land, and textural nuance.”

Hometown: Covington, Kentucky
Age: 29
Education: BA, History & Fine Arts from Xavier University (Cincinnati)
Website: https://brettmsutton.wordpress.com

"White Sands National Monument" by Brett Sutton, size made to order, film photography (2017), f  rom $85 and up |  BUY NOW

"White Sands National Monument" by Brett Sutton, size made to order, film photography (2017), from $85 and up | BUY NOW

"Fire Escape" by Brett Sutton, size made to order, film photography (2017), from $85 and up |  BUY NOW

"Fire Escape" by Brett Sutton, size made to order, film photography (2017), from $85 and up | BUY NOW

"Central Bridge: Newport, Kentucky" by Brett Sutton, size made to order, film photography (2017), from $85 and up |  BUY NOW

"Central Bridge: Newport, Kentucky" by Brett Sutton, size made to order, film photography (2017), from $85 and up | BUY NOW

Written by Keith Waits. Entire contents copyright © 2017 Louisville Visual Art. All rights reserved.

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Drawing, Painting

Vignette: Britany Baker

"Reflection" by Britany Baker, 108x25in, charcoal on paper (2016)

"Reflection" by Britany Baker, 108x25in, charcoal on paper (2016)

For the second year, Louisville Visual Art has selected a local artist to be the Featured Artist for the annual art[squared] Anonymous 8" x 8" Art Sale: Britany Baker.

"Above the Fray" by Britany Baker, 36x36in, oil on canvas (2017), $1800

"Above the Fray" by Britany Baker, 36x36in, oil on canvas (2017), $1800

While the sale will consist of 200 original 8” x 8” pieces by artists from around the region, it will also include this new, larger painting, “Above the Fray”, created by Baker just for this event. For anyone who has seen recent work by the artist, the depiction of a bird will come as no surprise. Baker’s paintings are much sought after by collectors, and the birds are especially popular. It is not difficult to see why.

Baker is known for abstract imagery based on natural forms, as described by Curator Jessica Bennett Kincaid: “…Baker’s fluid imagery saturates the viewer with a heightened connection to their environmental surroundings. Subtly creating an emotive relationship to singular aspects of the places we inhabit, these flowing abstractions allude to the collision of the natural world and human influence.“

Yet the aviary “characters” (they are not real birds) are a highly representational contrast to such work; an exquisite study of nature nestled in feathers that seem at once realistic and a ruse. Because of its position, the creature has the feeling of being in flight, yet the forms surrounding the head also give the appearance of being grounded. Baker creates a compelling tension between the intimacy of the detailed observation of the bird and the epic visual quality of the composition, playing with the viewer’s comprehension in a way that is irresistible.

Artist, Britany Baker

Artist, Britany Baker

Since December, Baker has worked full time as the Art Director for Red Pin Media, and is Vice-President at Art Sanctuary, a non-profit community-oriented arts collective supporting local visual, literary, and performing arts through events, promotion, and education.

art[squared]

All works donated to art[squared] will be exhibited anonymously and sold on a first-come, first-served basis at LVA's new location at 1538 Lytle Street on Friday, April 7th at 7 PM. The beauty of anonymous exhibition is viewers will be able to respond to the artwork on its merits alone, without prejudice or preference. Each 8” x 8” piece will be priced at $100. The work will also be on public display for one week leading up to the sale, and any unsold work for an additional week following the sale.

“Above the Fray”, by Britany Baker, will be sold through Silent Auction that will close out at 8:30pm on April 7, 2017. Opening Bid is $1000 and bids will be accepted in increments of $50. If you wish to make a bid before the event, email keith@louisvillevisualart.org with your name, mailing address, email, phone, and bid.

"Above the Fray (detail)" by Britany Baker, 36x36in, oil on canvas (2017)

"Above the Fray (detail)" by Britany Baker, 36x36in, oil on canvas (2017)

All proceeds benefit CFAC, which educates over 1,000 artistically talented and visually driven children annually in the Greater Louisville area. Last year, we were able to raise over $24,000 during art[squared]! This provided students with scholarships and helped offset instructor and supply costs in all 11 participating Kentuckiana counties!

“Little Bird” by Britany Baker, 8x8in, oil on canvas (2016) NFS - Sold at last years  art[squared]  event.

“Little Bird” by Britany Baker, 8x8in, oil on canvas (2016) NFS - Sold at last years art[squared] event.

We cordially invite you to the art[squared] Artists Reception & Preview Party on Friday, April 7th at 7 PM at LVA (1538 Lytle Street). A great opportunity to snag your favorite 8" x 8" before it's gone the next morning!

Hundreds of art works - the largest number of talented local artists to be found in one location – and each piece is ONLY $100.

For tickets and more details about the event visit:
http://www.louisvillevisualart.org/artsquared2017/

Hometown: Louisville, KY
Age: 46
Education: BFA with concentration in drawing and painting, Xavier University (Cincinnati, Ohio)
Website: http://www.britanybaker.com/

Written by Keith Waits. Entire contents copyright © 2017 Louisville Visual Art. All rights reserved.

"Aging" by Britany Baker, 24x36in, oil on canvas (2017), $485 |  BUY NOW

"Aging" by Britany Baker, 24x36in, oil on canvas (2017), $485 | BUY NOW

“Gentler” by Britany Baker, 26x26in, oil on canvas (2014), $450 |  BUY NOW

“Gentler” by Britany Baker, 26x26in, oil on canvas (2014), $450 | BUY NOW

“Amaryllis” by Britany Baker, 37x49in, oil on canvas (2015), NFS

“Amaryllis” by Britany Baker, 37x49in, oil on canvas (2015), NFS

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Painting

Vignette: Patrick Donley

Donley in his studio working.

Donley in his studio working.

As a painter, Patrick Donley became known earlier in his career for distinctive acrylic paintings; compositions of spherical objects applied with an insistent mark-making technique. Then, for several years he worked with found objects, first in 3-D wall-hanging constructions of freewheeling spatial complexity, and then in The Memento Series, which incorporated old photographs into intimate collages that evoked communal memories of the past.

More recently, Donley has embarked on, “…a path of rediscovery,” returning to the sphere, and if, at first glance, the paintings look the same, and most easily connote astronomical perspectives on heavenly bodies, there is indeed the same concern for relationships in space, but have the years of focus on 3-D informed the artist’s mark making, so that we feel a greater plasticity in the modeling of form - a greater freedom now in the application of medium? Whatever we imagine, Donley finds a curious tension in the work: There is something surreal happening that is at once perplexing while at the same time pleasing.”

"Untitled #2" by Patrick Donley, 36x36in, mixed media on canvas

"Untitled #2" by Patrick Donley, 36x36in, mixed media on canvas

"I draw with a brush. I draw with graphite. I draw with charcoal. I stain, and I glaze. Collage is worked into the surface, and I draw over that. I render worlds, and I proffer particles. Accident belies intention. Color justifies the means. I enjoy what I do, and I offer it up to you."

A long-time member, now co-owner of Zephyr Gallery, Patrick Donley has been making art since the early 80’s in one form or another.  His work can be found in collections from New York to Seattle, including Paul Allen, founder of the EMP Museum. Locally, his paintings and sculptures are located in numerous corporate and private collections.

Hometown: Louisville, Kentucky
Age: 54
Education: BA in Painting, Davidson College in Painting; MFA in Painting and Drawing, Northwestern University
Website: http://patrickdonley.wix.com/donleyart

A recent photo of Donley's studio.

A recent photo of Donley's studio.

"Untitled #1" by Patrick Donley, 25x31in, mixed media on canvas

"Untitled #1" by Patrick Donley, 25x31in, mixed media on canvas

"Untitled #3" by Patrick Donley, 36x38in, mixed media on canvas

"Untitled #3" by Patrick Donley, 36x38in, mixed media on canvas

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Written by Keith Waits. Entire contents copyright © 2016 Louisville Visual Art. All rights reserved.

Please contact    josh@louisvillevisualart.org    for further information on advertising through Artebella.

Please contact josh@louisvillevisualart.org for further information on advertising through Artebella.