self-portrait

Painting

Vignette: Sharon Matisoff

"For the Roses" by Sharon Matisoff, 19x36in, oil on canvas (2017)

"For the Roses" by Sharon Matisoff, 19x36in, oil on canvas (2017)


“Painting allows me to transform my perceptions of the world into portraits and figurative compositions.” — Sharon Matisoff


"Self-Portait" by Sharon Matisoff

"Self-Portait" by Sharon Matisoff

Sharon Matisoff likes to paint portraits, but as an artist in Kentucky, the temptation of thoroughbred horse racing as a subject is inevitable.  “Although I’ve always painted people, recently I discovered the joys of equine painting. Now I primarily divide my artistic attention between these two subjects. Horses are poetry in motion and I aim to capture their grace and power when I paint them. It is gratifying to me that my portraiture skills are also useful in portraying the myriad ways in which people interact with horses. I feel as though my life as an artist is just beginning.”

Matisoff has been painting for years, but being newly retirement affords her the time to double down on her studio practice. Her slightly heightened sense of color is grounded in naturalism, and her sensitive observation of detail, which has always been a key element of her portraiture, is put into good use in her behind the scenes images of the world of horses. Her perspective on the racing form of the horse and jockey are adept, but the fact that her sensibility is drawn to the more workaday aspects of the equine world is telling.

"Catching Up" by Sharon Matisoff, 19x36in, pastel on sanded paper (2017)

"Catching Up" by Sharon Matisoff, 19x36in, pastel on sanded paper (2017)

"Chillin'" by Sharon Matisoff, 27x19in, pastel on sanded paper (2017)

"Chillin'" by Sharon Matisoff, 27x19in, pastel on sanded paper (2017)

“I often work in pastel when I’m so inspired that I don’t want to stop and mix colors or stretch a canvas. The desire to paint is so strong that I must immerse myself in a painting all at once. Pastel painting allows me to be fearless with the elements of art in the most lyrical way. Oil painting is a language that I learned later in life, and so demands a more considered approach. With the elaborate preparation that oil painting requires, I work in this medium when I feel very deeply about a subject and pastel is too ephemeral to convey the depth or complexity of the subject. Armed with these media, I feel as though I can interpret the subjects that touch my soul.”

Matisoff will be one of the featured artists in the Fall Equine Show at the Brown Gallery in the Brown Hotel. The show will be on display from September 1, 2017 through January 1, 2018.

Hometown: Oak Park, Michigan
Education: BA in Psychology from California State University-Northridge; Studied art at the Art Center College of Design (Pasadena, California)
Gallery Representation: Jessie's Art Gallery and Custom Framing (Frankfort, KY)
Website: http://www.sharonmatisoff.com/

"Before the Race" by Sharon Matisoff, 19x36in, pastel on sanded paper (2017)

"Before the Race" by Sharon Matisoff, 19x36in, pastel on sanded paper (2017)

"Wild Blue" by Sharon Matisoff, 24x24in, oil on canvas (2017)

"Wild Blue" by Sharon Matisoff, 24x24in, oil on canvas (2017)

Written by Keith Waits. Entire contents copyright © 2017 Louisville Visual Art. All rights reserved.

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Photography

Vignette: Kevin Warth


“Resisting normative constructions of time, I examine moments in which the past, present, and future collapse upon each other.” Kevin Warth


Artist, Kevin Warth in his studio

Artist, Kevin Warth in his studio

When one says “digital” it tends to suggest clean, polished audio and visual product - the pristine clarity of the CD, or the magical ability to animate entire worlds in your favorite blockbuster movie. Yet there are legions devoted to the warmth and subdued crackle of analog technologies. Vinyl, for example is still first choice for many.

Kevin Warth’s photographs here are exposed and confessional self-portraits that have the feel of x-rays. The intentionally distressed images seem furtive and from a by-gone time, recalling vintage pornography and early experiments in multiple exposure techniques, so that we find Warth delivering a suitable marriage of theme and technique.  

“My work explores temporality, memory, and the body through self-portraiture. Resisting normative constructions of time, I examine moments in which the past, present, and future collapse upon each other. My body becomes a vehicle for memory as the past haunts the present. These images are tangible yet insubstantial. I use alternative and historic photographic processes alongside current digital methods of image making to further complicate and queer linear time. Moments are not discrete or bound to sequential time; rather, they bleed into other timelines in unexpected, jarring ways.”

"Echoes" by Kevin Warth, dimensions variable, photo transfer on glass (2016), $500 |  BUY NOW

"Echoes" by Kevin Warth, dimensions variable, photo transfer on glass (2016), $500 | BUY NOW

"I Am Consumed By Specters" by Kevin Warth, 16x20in, kallitype (2015), $400 |  BUY NOW

"I Am Consumed By Specters" by Kevin Warth, 16x20in, kallitype (2015), $400 | BUY NOW

Warth is a recent graduate of the University of Louisville’s Allen R. Hite Institute, where he had received the Mary Spencer Nay Memorial Scholarship, the Allen R. Hite Scholarship, the Barbara Bullitt Christian Memorial Scholarship in Photography, and the Allen Memorial Prize in Creative Art.

On May 4th, Warth will be participating in Rainbows & Roses, a benefit show to raise money for Louisville's future LGBTQ+ Community Center. On June 2, he will organize/participate in Queer Voices, another charity show to be held at OPEN Community Arts Center in which a percentage of the work sold will be donated to a local LGBTQ charity in remembrance of those lost in the Orlando nightclub shooting.

Hometown: New Albany, Indiana
Age: 24
Education: BFA in 2D Studios and BA in Art History, University of Louisville, 2016
Website: http://www.kevinwarth.com
Gallery Representation: garner narrative contemporary

"Un" by by Kevin Warth, 7x7in, ambrotype (2015), $750 |  BUY NOW

"Un" by by Kevin Warth, 7x7in, ambrotype (2015), $750 | BUY NOW

"I Am Consumed By Him" by Kevin Warth, 16x20in, kallitype (2015), $400 |  BUY NOW

"I Am Consumed By Him" by Kevin Warth, 16x20in, kallitype (2015), $400 | BUY NOW

"Deux" by Kevin Warth, 7x7in, ambrotype (2015), $750 |  BUY NOW

"Deux" by Kevin Warth, 7x7in, ambrotype (2015), $750 | BUY NOW

Written by Keith Waits. Entire contents copyright © 2017 Louisville Visual Art. All rights reserved.

Are you interested in being on Artebella?  Click here  to learn more.

Are you interested in being on Artebella? Click here to learn more.