scenic

Painting

Vignette: Corie Neumayer


“My current work reflects the changes in our climate and the effect on our earth.” Corie Neumayer


"Angry Wind" by Corie Neumayer, 24x36in, acrylic, latex (2017), $700 |  BUY NOW

"Angry Wind" by Corie Neumayer, 24x36in, acrylic, latex (2017), $700 | BUY NOW

Painter Corie Neumayer’s latest work is so much more emotional than the last time we saw her on Artebella. There was always signature mark making, but she has here cut loose from much of the intellectual discipline previously evident in her compositions in favor of a near-tempestuous brushwork of unusual vigor and expressiveness. As an artist, she seems riled up, even if her statement remains understated and reserved:

“I am a painter who creates abstracted paintings of the landscape that focus on open spaces; deserts, mountains, lakes, as well as the countryside of Kentucky and Indiana. My work is done in a variety of untraditional and traditional media. My current work reflects the changes in our climate and the effect on our earth.”

"Rain and Rain" by Corie Neumayer, 24x30in, acrylic, latex (2017), $600 |  BUY NOW

"Rain and Rain" by Corie Neumayer, 24x30in, acrylic, latex (2017), $600 | BUY NOW

The natural world has always played an important role in her work, but this new energy is forceful and imbued with what feels like anger, as Neumayer uses her art as a form of social activism. The turmoil below the surface of the image may not be as overt as marching with a sign because it works more subliminally, but the inference seems clear. The earth is in trouble, a highly volatile organism that has suffered enough abuse.  

As an educator, Neumayer helped create and develop the Visual Art Magnet program at DuPont Manual High School in Louisville and was a teacher in that program 1986-2004.

Neumayer has been a member of PYRO Gallery since 2005, and has a show on exhibit here now.

"Burnt Land" by Corie Neumayer, 18x24in, acrylic, latex (2017), $400 |  BUY NOW

"Burnt Land" by Corie Neumayer, 18x24in, acrylic, latex (2017), $400 | BUY NOW

The Changing Land – A Painting Exhibit by Corie Neumayer, with guest artist Matt Gaddie, runs through July 15, 2017.

Hometown: Louisville, Kentucky
Education: MA in Teaching, University of Louisville; BA, Georgetown College (Georgetown Kentucky); also attended Savannah College of Art and Design (Savannah, Georgia), California State University-Long Beach, and St. Cloud College (St. Cloud, Minnesota)
Gallery Representative: Pyro Gallery
Website: www.corieneumayerpaintings.com

"Crops on Fire" by Corie Neumayer, 24x36in, acrylic, latex (2017), $600 |  BUY NOW

"Crops on Fire" by Corie Neumayer, 24x36in, acrylic, latex (2017), $600 | BUY NOW

"Looks Like Snow Again" by Corie Neumayer, 24x36in, acrylic, latex (2017), $600 |  BUY NOW

"Looks Like Snow Again" by Corie Neumayer, 24x36in, acrylic, latex (2017), $600 | BUY NOW

Written by Keith Waits. Entire contents copyright © 2017 Louisville Visual Art. All rights reserved.

Are you interested in being on Artebella?  Click here  to learn more.

Are you interested in being on Artebella? Click here to learn more.

Painting

Vignette: Charlotte Pollock


"The mind includes more than intellect. It contains a history of what we learn through our feet. It grasps the world that meets the eye, the city we know through our legs, the places we know in our hearts, in our guts, in our memories, and in our imaginations. It includes the world we feel in our bones." - E. V. Walter


Painter, Charlotte Pollock

Painter, Charlotte Pollock

Charlotte Pollock doesn’t just paint what is in front of her. Some landscape painters may, in fact, be documentarians; capturing with accuracy the details of color and light they find before them, but for Pollock, the choice of subject has specific meaning for her: “This series is the result of my desire to understand the meaning of place and its relationship to self. I paint places that emotionally resonate within me as a way to map my biography. Light and color articulate mood and combine with my paint application to make an interior world accessible to the viewer.”

“A sense of place,” is an elusive phrase that can be parsed many ways, but when we speak of art, we are trying to describe how an individual point-of-view of one moment in time might attempt to communicate ineffable aspects of a location. The artist doesn’t create a picture-postcard; instead they share their own unique experience and understanding of a given place, which may be markedly different than the viewer’s experience. It may also strike unexpected chords of universal experience - anything is possible. The E.V. Walter quote that partly inspires these paintings perhaps says it best: “It includes the world we feel in our bones.”

"Have You Got Good Religion" by Charlotte Pollock, 36x48in, oil on canvas (2017)

"Have You Got Good Religion" by Charlotte Pollock, 36x48in, oil on canvas (2017)

For Pollock, these paintings occupy the realm of autobiography, but on her own terms. What you may glean about the artist from these pieces will not be a complete picture, but what is there to discover just might only be available through her work.

Pollock’s solo exhibition, Lore & Landscapes, opens June 2 at Art Sanctuary with a reception that evening, 5:30-9:30pm. Reception is FREE, family-friendly, and open to the public. Refreshments will be available for purchase.

She also has work in On the Waterfront and Beyond through July 29 at the Jane Morgan Gallery in Louisville.

Hometown: Louisville, Kentucky
Age: 26
Education: BFA, Allen R. Hite Institute, University of Louisville
Website: http://www.charlotteannpollock.com

"Old Louisville in November" by Charlotte Pollock, 24x36in, oil on canvas (2017)

"Old Louisville in November" by Charlotte Pollock, 24x36in, oil on canvas (2017)

"March 29, 5pm" by Charlotte Pollock, 16x20in, oil on canvas (2016)

"March 29, 5pm" by Charlotte Pollock, 16x20in, oil on canvas (2016)

"Golden Hour on River Road" by Charlotte Pollock, 36x48in, oil on canvas (2017)

"Golden Hour on River Road" by Charlotte Pollock, 36x48in, oil on canvas (2017)

Written by Keith Waits. Entire contents copyright © 2017 Louisville Visual Art. All rights reserved.

Are you interested in being on Artebella?  Click here  to learn more.

Are you interested in being on Artebella? Click here to learn more.

Painting

Vignette: Valtcho Tonov


“I believe in the beauty of ordinary subjects.” — Valtcho Tonov


   "Greece" by Valtcho Tonov, 10x20 in, oil on linen panel (2016), $700 (comes in gold plein air style frame)|  BUY NOW

 "Greece" by Valtcho Tonov, 10x20 in, oil on linen panel (2016), $700 (comes in gold plein air style frame)| BUY NOW

Artist, Valtcho Tonov

Artist, Valtcho Tonov

Even though Valtcho Tonov has no formal, institutional diploma, through private lessons and countless workshops he has been relentless in pursuing a personal course of study in painting. For many years he practiced painting the figure from life in a class setting and the landscape en plein air.

“As my experience accumulates as an artist during the years I understand that it's important to convey feeling with my art and relate in a profound way to the viewer. I believe in the beauty of ordinary subjects. I consider myself an abstract impressionist, however my style varies depending of my mood and the way I start a new painting.”

"Cherokee Park Path" by Valtcho Tonov, 12x16 in, oil on linen panel (2016), $700 (comes in plein air style dark frame) |  BUY NOW

"Cherokee Park Path" by Valtcho Tonov, 12x16 in, oil on linen panel (2016), $700 (comes in plein air style dark frame) | BUY NOW

We see the different moods in “Cherokee Park Path”, which perfectly captures the unique winter light on the snow, everything crisp and clear under the brilliant sun, of how the equine forms in “Southern Horses” seem rooted to the earth as if the are plants awaiting harvest, and is there an image more evocative of moodiness than a view of the skyline distorted as if being witnessed through a rain-streaked window in “Louisville Winter”.

This is what a painter does; working with one of the most plastic and expressive of mediums, the artist is able to communicate a heightened perception of the world, forcing us to look harder at our own environment and the aspects of nature that we too easily take for granted.

"Mc Neely Lake, Louisville" by Valtcho Tonov, 12x16in, oil on linen panel (2016), $700 (comes in plein air style dark frame) |  BUY NOW

"Mc Neely Lake, Louisville" by Valtcho Tonov, 12x16in, oil on linen panel (2016), $700 (comes in plein air style dark frame) | BUY NOW

Tonov is a member of Oil Painters Of America and the Plein Air Painters of Kentucky. After moving to the United States in 2001, he eventually settled in Louisville, Kentucky. Tonov has continued his studies under the tutelage of renowned artists such as John Michael Carter, Phil Starke, and others. He is part of an ongoing uninstructed figurative drawing/painting workshop at Mellwood Art Center in Louisville.

Hometown: Plovdiv, Bulgaria
Age: 44
Education: self-taught but studied with John Michael Carter & Phil Starke
Website: http://www.vptart.co

"Louisville Winter" by Valtcho Tonov, 20x24 in, oil on canvas (2017), $900 (not framed, finished sides) |  BUY NOW

"Louisville Winter" by Valtcho Tonov, 20x24 in, oil on canvas (2017), $900 (not framed, finished sides) | BUY NOW

"Southern Horses" by Valtcho Tonov, 11x14 in, oil on linen panel (2016), $600 (comes in gold frame) |  BUY NOW

"Southern Horses" by Valtcho Tonov, 11x14 in, oil on linen panel (2016), $600 (comes in gold frame) | BUY NOW

Written by Keith Waits. Entire contents copyright © 2017 Louisville Visual Art. All rights reserved.

Are you interested in being on Artebella?    Click here    to learn more.

Are you interested in being on Artebella? Click here to learn more.

Painting

Vignette: Barbara Tyson Mosley

"Awakening - Rise and Embrace the Morning" by Barbara Tyson Mosley, 24x48in, acrylic on canvas (2017), $1500 |  BUY NOW

"Awakening - Rise and Embrace the Morning" by Barbara Tyson Mosley, 24x48in, acrylic on canvas (2017), $1500 | BUY NOW

Barbara Tyson Mosley in her studio.

Barbara Tyson Mosley in her studio.

We have observed that quite often fiber artists work like painters, but Barbara Tyler Mosley is a painter whose work might put you in mind of some fiber artists. Of course, the comparison assumes the intuitive manipulation of plastic medium is, while not unique to the act of painting, at least a defining characteristic. Mosley’s mark-making application is both organic and highly structured.

Her abstract landscapes are vibrant with color. “These works harmoniously emphasize the relationship between earth, sea, and sky,” it states in Mosley’s Artist’s Statement. “As she quickly works on canvas manipulating the paint to reflect light and color changes, the viewer’s eye sees a playground of color and movement as she expands the scale of color and line.”

 In the tightly constructed layers of that color and line we can see the echo of the hand stitching of a textile artist, allowing repetition of the mark to create visual texture in the manner of thread stitched through fabric. This repetition carries through the strict, 12” x 12” dimensions of the individual paintings in the series, so that a perspective from a distance puts us in mind of quilt construction.

"Moonlight is Yellow" by Barbara Tyson Mosley, 12x12in, acrylic on canvas (2016), $500 |  BUY NOW

"Moonlight is Yellow" by Barbara Tyson Mosley, 12x12in, acrylic on canvas (2016), $500 | BUY NOW

But Mosley is still, determinedly, a painter, boasting a highly developed point-of-view on the integration of representational and abstract.

Mosley’s current exhibit, "12 x 12 Plus" will be at KORE Gallery at the Mellwood Art Center in Louisville through February 28, 2017. She will then be showing more of the 12 x 12 paintings at the New Edition Gallery in Lexington, KY through the month of March. This fall, she will be exhibiting with Tomisha Allen in September and October of 2017 at the Wayside Expressions Gallery, Louisville, KY.

"Evening Calm" by Barbara Tyson Mosley, 12x12in, acrylic on canvas (2016), $500 |  BUY NOW

"Evening Calm" by Barbara Tyson Mosley, 12x12in, acrylic on canvas (2016), $500 | BUY NOW

Permanent Collections:
PNC Bank Tower, Contemporary Ethnic Dolls, Pittsburgh, PA
Heritage Art Center Gallery, Lexington, KY
The University of Virginia Medical Center, Charlottesville, VA
The Corcoran Gallery of Art (Evans-Tibbs Collection), Washington, DC
The Fine Arts Institute, San Bernardino Museum of Art, Redlands, CA
The International Multicultural Fine Arts Exchange Foundation, Washington, DC

Hometown: Harrisburg, Pennsylvania
Education: BA, Studio Art, Painting, University of the District of Columbia, Washington, DC, 1985; MA in Liberal Studies Degree (Humanities; 20th Century Art History) Georgetown University, Washington, DC, 1990; MFA Candidate, Design George Washington University, Washington, DC, 2002-2004

"In the Night" by Barbara Tyson Mosley, 12x12in, acrylic on canvas (2016), $500 |  BUY NOW

"In the Night" by Barbara Tyson Mosley, 12x12in, acrylic on canvas (2016), $500 | BUY NOW

"Morning Coffee and Caramel Tea" by Barbara Tyson Mosley, 24x36in, acrylic on canvas (2014), $650 |  BUY NOW

"Morning Coffee and Caramel Tea" by Barbara Tyson Mosley, 24x36in, acrylic on canvas (2014), $650 | BUY NOW

"The 13th of Friday" by Barbara Tyson Mosley, 36x48in, acrylic on canvas (2013), $2500 |  BUY NOW

"The 13th of Friday" by Barbara Tyson Mosley, 36x48in, acrylic on canvas (2013), $2500 | BUY NOW

Written by Keith Waits. Entire contents copyright © 2016 Louisville Visual Art. All rights reserved.

Are you interested in being on Artebella?    Click here    to learn more.

Are you interested in being on Artebella? Click here to learn more.

Painting

Vignette: Catherine Bryant


“Art is not what you see, but what you make others see.” — Edgar Degas


"Yellow Villa" by Catherine Bryant, 12x9in, oil on canvas, plein air (2010), $395 |  BUY NOW

"Yellow Villa" by Catherine Bryant, 12x9in, oil on canvas, plein air (2010), $395 | BUY NOW

Catherine Bryant’s outlook on life may best be expressed in a phrase she likes, “Art is the breath of life.” After experiencing a troubled childhood, Bryant used art to change her life, or at least get moving in a better direction. Armed with a sketchbook and charcoal, she set out to find beauty and record the wonders around her. This journey took her into a world of constant growth.

Bryant is a landscape painter, but she doesn’t restrict herself to panoramic scenes of nature. In fact, her compositions tend to be more intimate glimpses of the way the trees and vegetation frames our point-of-view on the bucolic environment. “Yellow Villa” shows the expansive view that reaches off to the horizon, the diminishing fields becoming more abstract as the distance increases, but in “The Trees Speak Softly”, the viewer feels hidden in the shade, poised to eavesdrop on whatever privileged moment might be about to transpire just beyond the trees.

Another aspect of landscape compositions is the still, unmoving aspect that is so common, but in “Warm H20” Bryant captures a spontaneous moment in time, the immediacy of the interaction between horse and human palpably communicated with certainty and skill. Perhaps it is the introduction of animals, always a favorite with this artist, that represents an opportunity to inject some modicum of unpredictability into her compositions.

"Warm H2O" by Catherine Bryant, 36x48in, oil on canvas (2015)

"Warm H2O" by Catherine Bryant, 36x48in, oil on canvas (2015)

After a career in advertising as a Graphic Designer and airbrush illustrator, teaching classes at Ivy Tech, Bryant created her own business, working as a muralist for 25 years.  Realizing she wouldn’t always want to climb scaffolding, she started honing her skills as a fine art painter.

"The Trees Speak Softly" by Catherine Bryant, 8x10in, oil on canvas (plein air), $395 |  BUY NOW

"The Trees Speak Softly" by Catherine Bryant, 8x10in, oil on canvas (plein air), $395 | BUY NOW

Now, during the summer months, one can find the artist outdoors throughout the state of Kentucky and southern Indiana, painting  “plein air” (painting outdoors). She finds “plein air” painting to be the best method for sharpening her quick decision making skills; an invaluable exercise for simplifying composition, value assessment and color acuity, all the while completing a painting in a matter of a couple of hours. These lessons carry over back in the studio during the winter months.

Ms. Bryant teaches her passion for painting at Preston Arts Center on Bardstown Road, and in her private studio.

Hometown: Louisville, Kentucky
Education: BA, University of Louisville
Gallery Representative: Jane Morgan Gallery; Edenside Gallery; Kentucky Museum of Art & Craft, and Hoosier Salon (Louisville) Broad Ripple Gallery (Indianapolis)
Website: http://www.catherinebryantart.com/
Instagram: https://www.instagram.com/catherinebryantstudio/

"1st Notes of Spring" by Catherine Bryant, 30x24in, oil on canvas, $2950 |  BUY NOW

"1st Notes of Spring" by Catherine Bryant, 30x24in, oil on canvas, $2950 | BUY NOW

"Sweet Dreams Dear Light," by Catherine Bryant, 11x14in, oil on canvas, plein air (2016), $495 |  BUY NOW

"Sweet Dreams Dear Light," by Catherine Bryant, 11x14in, oil on canvas, plein air (2016), $495 | BUY NOW

"Dance of the Texasbonnets and Indian Paintbrush" by Catherine Bryant, 48x36in, encaustic & oil on canvas (2016), $3500 |  BUY NOW

"Dance of the Texasbonnets and Indian Paintbrush" by Catherine Bryant, 48x36in, encaustic & oil on canvas (2016), $3500 | BUY NOW

Written by Keith Waits. Entire contents copyright © 2016 Louisville Visual Art. All rights reserved.

Are you interested in being on Artebella?    Click here    to learn more.

Are you interested in being on Artebella? Click here to learn more.