power

Painting

Vignette: Sharon Matisoff

"For the Roses" by Sharon Matisoff, 19x36in, oil on canvas (2017)

"For the Roses" by Sharon Matisoff, 19x36in, oil on canvas (2017)


“Painting allows me to transform my perceptions of the world into portraits and figurative compositions.” — Sharon Matisoff


"Self-Portait" by Sharon Matisoff

"Self-Portait" by Sharon Matisoff

Sharon Matisoff likes to paint portraits, but as an artist in Kentucky, the temptation of thoroughbred horse racing as a subject is inevitable.  “Although I’ve always painted people, recently I discovered the joys of equine painting. Now I primarily divide my artistic attention between these two subjects. Horses are poetry in motion and I aim to capture their grace and power when I paint them. It is gratifying to me that my portraiture skills are also useful in portraying the myriad ways in which people interact with horses. I feel as though my life as an artist is just beginning.”

Matisoff has been painting for years, but being newly retirement affords her the time to double down on her studio practice. Her slightly heightened sense of color is grounded in naturalism, and her sensitive observation of detail, which has always been a key element of her portraiture, is put into good use in her behind the scenes images of the world of horses. Her perspective on the racing form of the horse and jockey are adept, but the fact that her sensibility is drawn to the more workaday aspects of the equine world is telling.

"Catching Up" by Sharon Matisoff, 19x36in, pastel on sanded paper (2017)

"Catching Up" by Sharon Matisoff, 19x36in, pastel on sanded paper (2017)

"Chillin'" by Sharon Matisoff, 27x19in, pastel on sanded paper (2017)

"Chillin'" by Sharon Matisoff, 27x19in, pastel on sanded paper (2017)

“I often work in pastel when I’m so inspired that I don’t want to stop and mix colors or stretch a canvas. The desire to paint is so strong that I must immerse myself in a painting all at once. Pastel painting allows me to be fearless with the elements of art in the most lyrical way. Oil painting is a language that I learned later in life, and so demands a more considered approach. With the elaborate preparation that oil painting requires, I work in this medium when I feel very deeply about a subject and pastel is too ephemeral to convey the depth or complexity of the subject. Armed with these media, I feel as though I can interpret the subjects that touch my soul.”

Matisoff will be one of the featured artists in the Fall Equine Show at the Brown Gallery in the Brown Hotel. The show will be on display from September 1, 2017 through January 1, 2018.

Hometown: Oak Park, Michigan
Education: BA in Psychology from California State University-Northridge; Studied art at the Art Center College of Design (Pasadena, California)
Gallery Representation: Jessie's Art Gallery and Custom Framing (Frankfort, KY)
Website: http://www.sharonmatisoff.com/

"Before the Race" by Sharon Matisoff, 19x36in, pastel on sanded paper (2017)

"Before the Race" by Sharon Matisoff, 19x36in, pastel on sanded paper (2017)

"Wild Blue" by Sharon Matisoff, 24x24in, oil on canvas (2017)

"Wild Blue" by Sharon Matisoff, 24x24in, oil on canvas (2017)

Written by Keith Waits. Entire contents copyright © 2017 Louisville Visual Art. All rights reserved.

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Drawing

Vignette: Helen Payne


“…Our identities and trajectories are shaped by tests and how testing is a reflection of power.” — Helen Payne


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Helen Payne’s ink wash drawings occupy a fluid space between representational and non-representational, ink washes built upon a solid draughtsmenship yet rendered with great immediacy. As if each one took only minutes to complete, the artist working nimbly with her brush with an economy of effort and heightened deliberation.

The drawings are part of a series that attempts to take a fresh perspective on questions if identity and the metrics of human existence. “I work in the studio creating objects and images that help me process and understand how the world works,” explains Payne. “These days, I am thinking about ways we measure and monetize our bodies and minds. My current work, The ABCs of the Weight of Measures, is an installation about how we measure and mismeasure ourselves and how what is the messiest and intensely private is often the focus of measurement. Each letter of the alphabet is the start of an acronym for a common test of human measurement, i.e. A is for APGAR; B is for BMI, and so on. The ABC of the Weight of Measures examines how our identities and trajectories are shaped by tests and how testing is a reflection of power.”

"B is for BMI, Yr width to yr girth" by Helen Payne, 11x14in, ink on paper (2016) $150 |  BUY NOW

"B is for BMI, Yr width to yr girth" by Helen Payne, 11x14in, ink on paper (2016) $150 | BUY NOW

Although Payne does not specifically frame the work as self-portrait or autobiography, introspection feels at the root of her observations, although the academic motif enables her to expand the idea to a universal context to which anyone might be able to relate. There is neat balance of the intellectual and populism in the belief that we are only able to understand ourselves through such often arbitrary and artificial constructs. The commentary Payne seems to offering is not necessarily comforting, but it is a healthy challenge to our programmed notions of self.

Hometown: Jamestown, Rhode Island
Education: MFA Candidate at University of Louisville, Louisville, KY, 2019;
BA, West Virginia University, Morgantown, WV, 2000;
With additional studies at: The Maryland Institute, College of Art, Baltimore, MD, The Slade School of Fine Art, University College London, UK. Jack Kerouac School of Disembodied Poetics, Naropa Institute, Boulder, CO
Website: http://www.helenpayne.us

"E is for EQ, I love you" by Helen Payne, 11x14in, ink on paper (2016) $15 |  BUY NOW

"E is for EQ, I love you" by Helen Payne, 11x14in, ink on paper (2016) $15 | BUY NOW

"Title F is for FICO, but I can't pay the rent" by Helen Payne, 11x14in, ink on paper (2016) $15 |  BUY NOW

"Title F is for FICO, but I can't pay the rent" by Helen Payne, 11x14in, ink on paper (2016) $15 | BUY NOW

"A is for APGAR, You were bluish at birth" by Helen Payne, 11x14in, ink on paper (2016) $150 |  BUY NOW

"A is for APGAR, You were bluish at birth" by Helen Payne, 11x14in, ink on paper (2016) $150 | BUY NOW

"W is WAIS, Wr melting, we two" by Helen Payne, 11x14in, ink on paper (2016) $15|  BUY NOW

"W is WAIS, Wr melting, we two" by Helen Payne, 11x14in, ink on paper (2016) $15| BUY NOW

Written by Keith Waits. Entire contents copyright © 2017 Louisville Visual Art. All rights reserved.

Are you interested in being on Artebella?    Click here    to learn more.

Are you interested in being on Artebella? Click here to learn more.