paintings

Painting

Vignette: Margaret Archambault


“The power of what we see and how it alters our ability to find what we consider ‘happiness’ is something I find challenging and worth exploration.” – Margaret Archambault


Archambault's studio

Archambault's studio

In her 6th solo exhibit, In Ten's; A Single Century to Live, which opens on October 6th at Tim Faulkner Gallery, Margaret Archambault examines perception and mortality: “In essence, we measure our lives in 10 decades of experience. Some of us don't reach that 10th decade, but we all see our ‘life-time’ as potentially 100 years. Our personal perspective evolves through these years and our expectations related to happiness and fulfillment either becomes satisfied or we are left perpetually wanting. It is my goal with this new series to demonstrate the fallacy of the world being sold to us and focus on the world we can create within ourselves.”

Illusion versus reality is a frequent theme in art, but does it challenge our sanity to question the perception of our own existence. Archambault posits the opposite, that we are already inured from reality by the insulating cocoon of mass media. Her busy, kinetic compositions emulate in analog fashion the unyielding assault of visual information that we weather on an almost constant basis in our daily lives.

"We Are What We Were" by Margaret Archambault, 60x84in, oil and spray paint on canvas (2017)

"We Are What We Were" by Margaret Archambault, 60x84in, oil and spray paint on canvas (2017)

In “We Are What We Are,” Archambault breaks the pattern of dense collage slightly with the placement of one dominant figure, a 1920’s style woman representative of a pre-digital culture, but in a posture bent under the weight of 10 years of technological development.

“Regardless of our desires and often in direct defiance of our ‘plans’ the revolutions of time and the changes that come with it lead us to the revelations that alter our paths. My newest collection, the Silk Screen Series has a universal message about how our lives are affected by the world around us. More often than not, we make decisions based on what we think is expected of us, or what someone else wants us to do. These decisions often lead to destinations we never expected and only after we have arrived do we recognize the folly.”

Hometown: South Bend, Indiana
Education: BA, Interdisciplinary Humanities with Art Focus, Summa cum Laude, Spalding University, 2007
Gallery Representation: Tim Faulkner Gallery (Louisville)
Website: http://www.archambault-art.com
Instagram: http://instagram.com/margaretarchambault

"A Book of Life" by Margaret Archambault, 60x84in, oil and spray paint on canvas (2017)

"A Book of Life" by Margaret Archambault, 60x84in, oil and spray paint on canvas (2017)

"It's What You See, Not What You're Shown" by Margaret Archambault, 32x23in, oil and spray paint on canvas (2016), $850 |  BUY NOW

"It's What You See, Not What You're Shown" by Margaret Archambault, 32x23in, oil and spray paint on canvas (2016), $850 | BUY NOW

"Celebration" by Margaret Archambault, 60x84in, oil and spray paint on canvas (2017)

"Celebration" by Margaret Archambault, 60x84in, oil and spray paint on canvas (2017)

Written by Keith Waits. Entire contents copyright © 2017 Louisville Visual Art. All rights reserved.

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Painting

Vignette: Devan Horton


“By questioning and altering our perceptions of beauty, these works open our minds to accept the nontraditional.” – Devan Horton


"Puff Ball Mushrooms" by Devan Horton, 24 x 24in, oil on panel (2017), $800 |  BUY NOW

"Puff Ball Mushrooms" by Devan Horton, 24 x 24in, oil on panel (2017), $800 | BUY NOW

The closer we look at nature, the more it can seem alien to us. The word mushroom conjures up a simple shape, earthy in texture and pungent in aroma, with little or no color, yet Devan Horton’s paintings present a range of beauty and organic form far away from that cliché.

“Nature has always inspired my work in both concept and form, therefore the majority of my pieces are environmentally centered and are about naturally occurring phenomena and behaviors. With that said, the direction of my work has seen an evolution. Where the focus was once on live subjects such as swarms of animals, insects, and plants in order to portray an active idea, I slowly transitioned into making work about dead matter and elimination.”

Horton refers to her subject here as “dead matter,” yet there is such vibrant life in these images. However inert the reality, the artist’s viewpoint imbues the organic forms with the same living pulse that she explored in her previous work.

"Orange and Blue Mushroom" by Devan Horton, 24 x 24in, oil on panel (2017), $800 |  BUY NOW

"Orange and Blue Mushroom" by Devan Horton, 24 x 24in, oil on panel (2017), $800 | BUY NOW

"Pink and Green Mushrooms" by Devan Horton, 24 x 24in, oil on panel (2017), $800 |  BUY NOW

"Pink and Green Mushrooms" by Devan Horton, 24 x 24in, oil on panel (2017), $800 | BUY NOW

“Today, my work discusses themes of rebirth by portraying new life growing from the source of fallen trees. Pulchritudinous is a series of fungi paintings that displays the sheer variety of species and beautiful patterns that hail solely from our local area. Fungus has never been revered for being beautiful, but by taking a closer look at these magnificent recyclers, the viewer is forced to see the intricate patterns and wide spectrum of color that was there all along. Even the word Pulchritudinous is an ugly term at first sight, but quite literally means “something of great physical beauty”. By playing with techniques that make objects appear more attractive, all of my work revolves around a change in perspective by viewing that which we look at negatively in a new light.”

Horton currently has solo exhibition at Perennial Gallery, 625 Madison Ave, Covington, Kentucky, through August 20, 2017

Age: 23
Hometown: Covington, Kentucky
Education: BFA, Painting, Northern Kentucky University, 2016; while in school participated in a study abroad to Rome and Florence Italy.
Website: http://www.devanhorton.com
Instagram: https://www.instagram.com/hortondevan/

"Split Gill Mushroom" by Devan Horton, 24 x 24in, oil on panel (2017), $800 |  BUY NOW

"Split Gill Mushroom" by Devan Horton, 24 x 24in, oil on panel (2017), $800 | BUY NOW

"Turkey Mushroom" by Devan Horton, 24 x 24in, oil on panel (2017), $800 |  BUY NOW

"Turkey Mushroom" by Devan Horton, 24 x 24in, oil on panel (2017), $800 | BUY NOW

Written by Keith Waits. Entire contents copyright © 2017 Louisville Visual Art. All rights reserved.

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Painting

Vignette: Sharon Matisoff

"For the Roses" by Sharon Matisoff, 19x36in, oil on canvas (2017)

"For the Roses" by Sharon Matisoff, 19x36in, oil on canvas (2017)


“Painting allows me to transform my perceptions of the world into portraits and figurative compositions.” — Sharon Matisoff


"Self-Portait" by Sharon Matisoff

"Self-Portait" by Sharon Matisoff

Sharon Matisoff likes to paint portraits, but as an artist in Kentucky, the temptation of thoroughbred horse racing as a subject is inevitable.  “Although I’ve always painted people, recently I discovered the joys of equine painting. Now I primarily divide my artistic attention between these two subjects. Horses are poetry in motion and I aim to capture their grace and power when I paint them. It is gratifying to me that my portraiture skills are also useful in portraying the myriad ways in which people interact with horses. I feel as though my life as an artist is just beginning.”

Matisoff has been painting for years, but being newly retirement affords her the time to double down on her studio practice. Her slightly heightened sense of color is grounded in naturalism, and her sensitive observation of detail, which has always been a key element of her portraiture, is put into good use in her behind the scenes images of the world of horses. Her perspective on the racing form of the horse and jockey are adept, but the fact that her sensibility is drawn to the more workaday aspects of the equine world is telling.

"Catching Up" by Sharon Matisoff, 19x36in, pastel on sanded paper (2017)

"Catching Up" by Sharon Matisoff, 19x36in, pastel on sanded paper (2017)

"Chillin'" by Sharon Matisoff, 27x19in, pastel on sanded paper (2017)

"Chillin'" by Sharon Matisoff, 27x19in, pastel on sanded paper (2017)

“I often work in pastel when I’m so inspired that I don’t want to stop and mix colors or stretch a canvas. The desire to paint is so strong that I must immerse myself in a painting all at once. Pastel painting allows me to be fearless with the elements of art in the most lyrical way. Oil painting is a language that I learned later in life, and so demands a more considered approach. With the elaborate preparation that oil painting requires, I work in this medium when I feel very deeply about a subject and pastel is too ephemeral to convey the depth or complexity of the subject. Armed with these media, I feel as though I can interpret the subjects that touch my soul.”

Matisoff will be one of the featured artists in the Fall Equine Show at the Brown Gallery in the Brown Hotel. The show will be on display from September 1, 2017 through January 1, 2018.

Hometown: Oak Park, Michigan
Education: BA in Psychology from California State University-Northridge; Studied art at the Art Center College of Design (Pasadena, California)
Gallery Representation: Jessie's Art Gallery and Custom Framing (Frankfort, KY)
Website: http://www.sharonmatisoff.com/

"Before the Race" by Sharon Matisoff, 19x36in, pastel on sanded paper (2017)

"Before the Race" by Sharon Matisoff, 19x36in, pastel on sanded paper (2017)

"Wild Blue" by Sharon Matisoff, 24x24in, oil on canvas (2017)

"Wild Blue" by Sharon Matisoff, 24x24in, oil on canvas (2017)

Written by Keith Waits. Entire contents copyright © 2017 Louisville Visual Art. All rights reserved.

Are you interested in being on Artebella?  Click here  to learn more.

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Painting

Vignette: Erik Orr

Artist, Erik Orr

Artist, Erik Orr

Flipping Reality On Its Head

Writer William Goldman once opined that the difference between art and popular entertainment might be that entertainment comforts, but art should unsettle us; prompt us to ask questions. Erik Orr’s paintings immediately prompt us to wonder what we are looking at: is this a painting or a photograph? When you take into account that his subjects are primarily iconic figures in popular entertainment, music, culture, comics, and videogames, then Goldman’s proposition comes under challenge. The familiarity of celebrity faces may seem to offer accessible pop pleasures, but the presentation of the artist won’t quite allow us such a cushy perspective.

In his most recent artist’s statement, Orr describes his intentions: “My more recent works use techniques that blend traditional painting through a filter of digital technology, the works create optical illusions that will make you question your own eyes. At a time when we experience our world through screens of all sizes, these works flip that reality on its head and present paintings that look as if they are digital images from afar.”

"Anthony Michael Hall" by Erik Orr, 2.5x3.5ft, acrylic on wood (2017)

"Anthony Michael Hall" by Erik Orr, 2.5x3.5ft, acrylic on wood (2017)

"River Phoenix" by Erik Orr, 3x4ft, acrylic on wood (2017)

"River Phoenix" by Erik Orr, 3x4ft, acrylic on wood (2017)

Orr builds his portraits with organic vertical lines that suggest a photograph enlarged beyond what its quality should allow, yet such a question is made almost moot in the limitless digital resolution of the moment. His work straddles the divide between digital and analog both functionally and conceptually.

“In my current show, New Work, at Revelry Boutique Gallery I intend the work to showcase the culture that has influenced me to become the artist I am today.”

Orr resides in the Highlands of Louisville Kentucky with his wife and two young children. He is employed as a Graphic Designer at a marketing company and plans to continue to grow and show his work more frequently in the coming years.

New Work runs through September 6 at Revelry Boutique & Gallery.

Age: 37
Hometown: Fairfax, Virginia
Education: Associates Degree in Communication Design, Northern Virginia Community College (NOVA); BA, Art and Visual Technology with a Minor in Art History George Mason University
Website: www.erikorr.com
Instagram: https://www.instagram.com/erik_orr/

"B-Boy" by Erik Orr, 3x3ft, acrylic on wood (2017)

"B-Boy" by Erik Orr, 3x3ft, acrylic on wood (2017)

"Twiggy" by Erik Orr, 3x4ft, acrylic on wood (2017)

"Twiggy" by Erik Orr, 3x4ft, acrylic on wood (2017)

Written by Keith Waits. Entire contents copyright © 2017 Louisville Visual Art. All rights reserved.

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Painting

Vignette: Joshua Jenkins

"Searching For Enlightenment" by Joshua Jenkins, 43 x 64 x 1 in, acrylic and mixed media on canvas (2017)

"Searching For Enlightenment" by Joshua Jenkins, 43 x 64 x 1 in, acrylic and mixed media on canvas (2017)


“Art to me is the soul’s communication - a response to experience and life.” — Joshua Jenkins


"Summertime Contemplation" by Joshua Jenkins, 24 x 18 x 1 in, acrylic and mixed media on canvas (2017)

"Summertime Contemplation" by Joshua Jenkins, 24 x 18 x 1 in, acrylic and mixed media on canvas (2017)

Like any good Expressionist, Joshua Jenkins builds an atmosphere divorced from recognizable reality, and then populates it with figures of solidity that are often indistinct, occupying space as a mass but lacking the specifics of individual character. There is some detail in the faces he attaches to these figures, often on necks that protrude forward, so that the features often give the impression of a mask. Oftentimes the only insight provide for these figures are what they are holding: a stringed instrument is a common item, or a particular hat might give us some clue about the personality. Jenkins is more concerned with the composition and action of the paint, using setting and placement to suggest narrative.

“Some of the works in the show, like 'Summertime Contemplation' & 'Searching for Enlightenment' are an obvious transition from the body of work from my show Somewhere In Between Anxiety & Serenity,” states Jenkins. “There a lot of the paintings had more muted colors and calmer lines. A lot of these newer pieces harken back to my earlier work, the bolder style with warmer colors that I’m known for.”

"Summer Heat (detail)" by Joshua Jenkins

"Summer Heat (detail)" by Joshua Jenkins

"Summer Nights" by Joshua Jenkins, 48 x 30 x 1.5 in, acrylic and mixed media on canvas (2017)

"Summer Nights" by Joshua Jenkins, 48 x 30 x 1.5 in, acrylic and mixed media on canvas (2017)

For many artists, the theme of summer would conjure up images of sunbaked landscapes, perhaps a beach-lined coastline - open areas of escape. But in “Summer Heat”, Jenkins captures the claustrophobic swelter of a crowded urban environment. This artist’s summer also include a domestic scene of four figures in a modern day family in “Summer Nights”, and the detail of the faces is noticeably more developed, with hair and facial details that suggest an element of autobiography in the scene. As most of the paintings show figures of some universality, here we get the sense that Jenkins knows these people, that this is his summer, and not necessarily anyone else’s.

Jenkins’ solo show, Summertime, will be opening at Lenihan Sotheby’s International Realty, 3803 Brownsboro Road, August 10 with an Artist’s Open House from 5:00pm-7:30pm.

Hometown: Poughkeepsie, NY
Age: 30
Education: BA in Digital Media with a Minor in Studio Art, Marist College (Poughkeepsie, New York)
Gallery Representative: Joshua is self-represented locally, but has works available at Revelry Gallery, KORE Gallery, New Editions Gallery (Lexington, KY), and at Caza Sikes (Cincinnati, OH)
Website: http://www.joshuajenkinsart.com

"Summer Heat" by Joshua Jenkins, 64 x 59 x 1 in, acrylic and mixed media on canvas (2016-2017)

"Summer Heat" by Joshua Jenkins, 64 x 59 x 1 in, acrylic and mixed media on canvas (2016-2017)

"Summer Nights (detail)" by Joshua Jenkins

"Summer Nights (detail)" by Joshua Jenkins

"Nature’s Musicians" by Joshua Jenkins, 36 x 48 x 1.5 in, acrylic and mixed media on canvas (2017)

"Nature’s Musicians" by Joshua Jenkins, 36 x 48 x 1.5 in, acrylic and mixed media on canvas (2017)

Written by Keith Waits. Entire contents copyright © 2017 Louisville Visual Art. All rights reserved.

Are you interested in being on Artebella?  Click here  to learn more.

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