paint

Painting

Vignette: Margaret Archambault


“The power of what we see and how it alters our ability to find what we consider ‘happiness’ is something I find challenging and worth exploration.” – Margaret Archambault


Archambault's studio

Archambault's studio

In her 6th solo exhibit, In Ten's; A Single Century to Live, which opens on October 6th at Tim Faulkner Gallery, Margaret Archambault examines perception and mortality: “In essence, we measure our lives in 10 decades of experience. Some of us don't reach that 10th decade, but we all see our ‘life-time’ as potentially 100 years. Our personal perspective evolves through these years and our expectations related to happiness and fulfillment either becomes satisfied or we are left perpetually wanting. It is my goal with this new series to demonstrate the fallacy of the world being sold to us and focus on the world we can create within ourselves.”

Illusion versus reality is a frequent theme in art, but does it challenge our sanity to question the perception of our own existence. Archambault posits the opposite, that we are already inured from reality by the insulating cocoon of mass media. Her busy, kinetic compositions emulate in analog fashion the unyielding assault of visual information that we weather on an almost constant basis in our daily lives.

"We Are What We Were" by Margaret Archambault, 60x84in, oil and spray paint on canvas (2017)

"We Are What We Were" by Margaret Archambault, 60x84in, oil and spray paint on canvas (2017)

In “We Are What We Are,” Archambault breaks the pattern of dense collage slightly with the placement of one dominant figure, a 1920’s style woman representative of a pre-digital culture, but in a posture bent under the weight of 10 years of technological development.

“Regardless of our desires and often in direct defiance of our ‘plans’ the revolutions of time and the changes that come with it lead us to the revelations that alter our paths. My newest collection, the Silk Screen Series has a universal message about how our lives are affected by the world around us. More often than not, we make decisions based on what we think is expected of us, or what someone else wants us to do. These decisions often lead to destinations we never expected and only after we have arrived do we recognize the folly.”

Hometown: South Bend, Indiana
Education: BA, Interdisciplinary Humanities with Art Focus, Summa cum Laude, Spalding University, 2007
Gallery Representation: Tim Faulkner Gallery (Louisville)
Website: http://www.archambault-art.com
Instagram: http://instagram.com/margaretarchambault

"A Book of Life" by Margaret Archambault, 60x84in, oil and spray paint on canvas (2017)

"A Book of Life" by Margaret Archambault, 60x84in, oil and spray paint on canvas (2017)

"It's What You See, Not What You're Shown" by Margaret Archambault, 32x23in, oil and spray paint on canvas (2016), $850 |  BUY NOW

"It's What You See, Not What You're Shown" by Margaret Archambault, 32x23in, oil and spray paint on canvas (2016), $850 | BUY NOW

"Celebration" by Margaret Archambault, 60x84in, oil and spray paint on canvas (2017)

"Celebration" by Margaret Archambault, 60x84in, oil and spray paint on canvas (2017)

Written by Keith Waits. Entire contents copyright © 2017 Louisville Visual Art. All rights reserved.

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Painting

Vignette: Susan Dworkin


“You must open yourself to communing with the desires of the paint and flow with it.” Susan Dworkin


"Tangled Up In Blue" by Susan Dworkin, 32x24in, vinegar paint (2015)

"Tangled Up In Blue" by Susan Dworkin, 32x24in, vinegar paint (2015)

Susan Dworkin has been experimenting with colonial painting techniques for fourteen years. Her current endeavor is adapting vinegar painting from its traditional use on flat wooden surfaces to other mediums. Historically used as a means of making common and inexpensive woods appear to be more valuable materials, such as metal, Dworkin experiments with the technique to create unique abstract compositions.

To date, she remains one of the pioneers in this venture, continually exploring and adapting the technique via artist board, foam core, metal, paper, glass, and mirror. “The nature of vinegar paint produces a multilayered spectrum of color that combines elements of impressionism, surrealism and lyrical abstractionism, explains Dworkin. “To work with this medium you must open yourself to communing with the desires of the paint and flow with it.” Her paintings are suggestive of rich landscapes and fantasy realms that allow the viewer to formulate their own personal vision. In one of her previous lives, Dworkin was a private estate gardener in Rhode Island and Massachusetts and finds color inspiration from those gardens and settings, as well as her many travels. She has lived in Lexington, Kentucky since 1989.

"Joy" by Susan Dworkin, 15x12in, vinegar paint (2017)

"Joy" by Susan Dworkin, 15x12in, vinegar paint (2017)

2017 has been a busy year for Dworkin, with solo exhibits at The Bar Complex, and the Hunt Morgan House, Bluegrass Trust for Historic Preservation, both in Lexington, Kentucky, and for the month of September she will have another solo show at the John G. Irvin Gallery, also in Lexington. In April 2018 she will be part of a group exhibit at ArtConnects in Lexington.

Dworkin has work in private collections in Lexington, KY, Chicago, IL, St. Petersburg, FL, and Tryon, NC.

Hometown: Lexington, Kentucky
Education: BA, Roger Williams University, Bristol, RI
Social Media: www.facebook.com/DesignsbyDworkin 

Written by Keith Waits. Entire contents copyright © 2017 Louisville Visual Art. All rights reserved.

"Toska" by Susan Dworkin, 28x23in, vinegar paint (2017), $650|  BUY NOW

"Toska" by Susan Dworkin, 28x23in, vinegar paint (2017), $650| BUY NOW

"Play" by Susan Dworkin, 25x37in, vinegar paint (2017), $650 |  BUY NOW

"Play" by Susan Dworkin, 25x37in, vinegar paint (2017), $650 | BUY NOW

"The Call" by Susan Dworkin, 33x27in, vinegar paint (2017), $850 |  BUY NOW

"The Call" by Susan Dworkin, 33x27in, vinegar paint (2017), $850 | BUY NOW

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Are you interested in being on Artebella? Click here to learn more.

Painting

Vignette: Andrea Alonso

"Birth of immortality" by Andrea Alonso, 48x36in, oil on canvas (2016) $1200 |  BUY NOW

"Birth of immortality" by Andrea Alonso, 48x36in, oil on canvas (2016) $1200 | BUY NOW

Artist, Andrea Alonso

Artist, Andrea Alonso

Andrea Alonso’s painting, “The Birth of Immortality,” represents the birth of the tradition of Day of the Dead. The iconic celebrations now occur all around the globe, but started with the pre-Hispanic culture and Aztec mythology. Mictlantecuhtli was a god of the dead and the king of Mictlan (Chicunauhmictlan), the lowest and northernmost section of the underworld. The arrival of Spanish colonialism and the transforming influence of Catholicism brought about a merging of the beliefs that resulted in the Catrina, the Saints Day, and the Day of the Dead.

“The painting also shows that death can occur to any of us, elder and children, rich and poor,” says Alonso. The story is told by the old man of the corner, who lost his wife and is waiting for death to come for him.”

“My style emphasizes the universality of visual abstraction in highly developed compositions of patterns and forms, I try to suggest space within these geometric arrangements, and my main object is try to establish a sense of place within the painting. I think this is not common in most abstract paintings.”

"Solitary thoughts" by Andrea Alonso, 36x36in, oil on canvas (2017), $600 |  BUY NOW

"Solitary thoughts" by Andrea Alonso, 36x36in, oil on canvas (2017), $600 | BUY NOW

 Currently Alonso is one of the many Louisville artists featured in the Alley Gallery public art program sponsored by the Louisville Downtown Partnership and unveiled by Mayor Greg Fischer on May 11, 2017

Alonso was one of the five finalist in ArtPrize Pitch Night in Louisville with the sculpture project “The Hole,” and is or will be exhibiting work in the EKU Center for the Arts, Lexington KY, the Andersonville 14th annual show at Chicago, IL, the “O” Gallery, Nashville TN, 5-0-LOU Gallery and, Tim Faulkner Gallery Winter show 2017, in Louisville, KY. She has paintings featured in Art Yellow Book #2, by CICA Museum, South Korea.

Hometown: Monterrey, Mexico
Age: 31
Education: Architecture degree University of Monterrey, Mexico; MBA in Administration, Rioja University, Madrid, Spain.
Website: http://www.art-ark.com

"Paranoia" by Andrea Alonso, 48x48in, oil on canvas (2017), $950 |  BUY NOW

"Paranoia" by Andrea Alonso, 48x48in, oil on canvas (2017), $950 | BUY NOW

"The Date" by Andrea Alonso, 36x36in, oil on canvas (2017), $600 |  BUY NOW

"The Date" by Andrea Alonso, 36x36in, oil on canvas (2017), $600 | BUY NOW

"Winter Storm" by Andrea Alonso, 30x24in, oil on canvas (2016), $260 |    BUY NOW

"Winter Storm" by Andrea Alonso, 30x24in, oil on canvas (2016), $260 | BUY NOW

Written by Keith Waits. Entire contents copyright © 2017 Louisville Visual Art. All rights reserved.

Are you interested in being on Artebella?  Click here  to learn more.

Are you interested in being on Artebella? Click here to learn more.

Painting

Vignette: Charlotte Pollock


"The mind includes more than intellect. It contains a history of what we learn through our feet. It grasps the world that meets the eye, the city we know through our legs, the places we know in our hearts, in our guts, in our memories, and in our imaginations. It includes the world we feel in our bones." - E. V. Walter


Painter, Charlotte Pollock

Painter, Charlotte Pollock

Charlotte Pollock doesn’t just paint what is in front of her. Some landscape painters may, in fact, be documentarians; capturing with accuracy the details of color and light they find before them, but for Pollock, the choice of subject has specific meaning for her: “This series is the result of my desire to understand the meaning of place and its relationship to self. I paint places that emotionally resonate within me as a way to map my biography. Light and color articulate mood and combine with my paint application to make an interior world accessible to the viewer.”

“A sense of place,” is an elusive phrase that can be parsed many ways, but when we speak of art, we are trying to describe how an individual point-of-view of one moment in time might attempt to communicate ineffable aspects of a location. The artist doesn’t create a picture-postcard; instead they share their own unique experience and understanding of a given place, which may be markedly different than the viewer’s experience. It may also strike unexpected chords of universal experience - anything is possible. The E.V. Walter quote that partly inspires these paintings perhaps says it best: “It includes the world we feel in our bones.”

"Have You Got Good Religion" by Charlotte Pollock, 36x48in, oil on canvas (2017)

"Have You Got Good Religion" by Charlotte Pollock, 36x48in, oil on canvas (2017)

For Pollock, these paintings occupy the realm of autobiography, but on her own terms. What you may glean about the artist from these pieces will not be a complete picture, but what is there to discover just might only be available through her work.

Pollock’s solo exhibition, Lore & Landscapes, opens June 2 at Art Sanctuary with a reception that evening, 5:30-9:30pm. Reception is FREE, family-friendly, and open to the public. Refreshments will be available for purchase.

She also has work in On the Waterfront and Beyond through July 29 at the Jane Morgan Gallery in Louisville.

Hometown: Louisville, Kentucky
Age: 26
Education: BFA, Allen R. Hite Institute, University of Louisville
Website: http://www.charlotteannpollock.com

"Old Louisville in November" by Charlotte Pollock, 24x36in, oil on canvas (2017)

"Old Louisville in November" by Charlotte Pollock, 24x36in, oil on canvas (2017)

"March 29, 5pm" by Charlotte Pollock, 16x20in, oil on canvas (2016)

"March 29, 5pm" by Charlotte Pollock, 16x20in, oil on canvas (2016)

"Golden Hour on River Road" by Charlotte Pollock, 36x48in, oil on canvas (2017)

"Golden Hour on River Road" by Charlotte Pollock, 36x48in, oil on canvas (2017)

Written by Keith Waits. Entire contents copyright © 2017 Louisville Visual Art. All rights reserved.

Are you interested in being on Artebella?  Click here  to learn more.

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Painting

Vignette: Hillary Cox

"Friends" by Hillary Cox, 24x12in, gouache on canvas (2017)

"Friends" by Hillary Cox, 24x12in, gouache on canvas (2017)

There has always been a strain of emotionalism in Modern Art. With the ubiquity of psychoanalysis in the 20th Century, painting became, for many, a direct conduit for expressing the dark and complex currents of human feelings. The plasticity of paint mediums seem ideally suited for cathartic – only one step away from the profoundly elemental aspect of finger painting.

Hillary Cox is a self-educated painter who understands that quality in her much of her own work: “My art is somewhat representative of my thoughts and how I feel, touching on aspects of mental illness, mixed with the aspect of darkness and horror. I believe it is a very interesting thing to explore and indulge in the shadows of your mind, but is also good to learn how to appreciate the light.”

“Although I make a large amount of dark art, I also like to make fan art and cute things sometimes when I am feeling a little brighter. I work mostly in the realms of macabre and illustrative art, dipping into influences from nature to anime. My preferred materials are gouache on canvas, or watercolor pencil and ink on paper. I also enjoy working on digital platforms such as Manga Studio Pro.”

Cox is a 2016 St. James Court Art Fair Scholarship Recipient.

Hometown: Louisville, Kentucky
Age: 23
Website: http://www.hillarycoxart.storenvy.com
Instagram: https://www.instagram.com/lilharibo/

"Papillonsm" by Hillary Cox, 8x10in, gouache on canvas board (2017)

"Papillonsm" by Hillary Cox, 8x10in, gouache on canvas board (2017)

"Tête Dans Les Nuages" by Hillary Cox, 16x20in, gouache on watercolor (2017)

"Tête Dans Les Nuages" by Hillary Cox, 16x20in, gouache on watercolor (2017)

"Tailler" by Hillary Cox, 16x20in, gouache on canvas (2017)

"Tailler" by Hillary Cox, 16x20in, gouache on canvas (2017)

"Le Petite Souris" by Hillary Cox, 8x10in, gouache on canvas board (2017)

"Le Petite Souris" by Hillary Cox, 8x10in, gouache on canvas board (2017)

Written by Keith Waits. Entire contents copyright © 2017 Louisville Visual Art. All rights reserved.

Are you interested in being on Artebella?    Click here    to learn more.

Are you interested in being on Artebella? Click here to learn more.