nulu

Special, Mural, Painting, Photography

Feature: 1619 Flux

1619 FLUX is re-opening for our One-Year Anniversary on April 15th, 2017 with a new Exhibition about Revitalization in West Louisville, and other surrounding neighborhoods.


“1619 Flux is NOT an art gallery.” — Kara Nichols


Neighborhood Revitalization & The Creative Flow Exhibition  Co-Curators:  Jesse Levesque, Kara Nichols, and Gwendolyn Kelly

Neighborhood Revitalization & The Creative Flow Exhibition
Co-Curators:  Jesse Levesque, Kara Nichols, and Gwendolyn Kelly

Kara Nichols and Jessie Levesque did not want to open an art gallery on West Main Street. Not that there’s anything wrong with that notion, it’s just that the pair had something else in mind. The full name they gave their venture, 1619 Flux Art + Activism is actually fairly direct in announcing the mission, but once you put art on the walls with a price tag, “gallery” is the easy assumption. People get it – they know what that is and they can feel good about it. But the real mission – the second part of that name – is an idea that still struggles to gain currency in the mainstream. What exactly does it mean to use art to effect social change?

Part of the problem is that it can mean so many things. “We want to engage artists who are solving problems creatively,” explains Levesque, “and, of course, part of that engagement will include exhibiting art, but there’s more to it.”

Nichols, who holds a PhD in Clinical Psychology from the University of Louisville, never saw herself in the role of “curator”, but she and Levesque are inventing a new role for themselves, step-by-step.  The first step was to make a home. The building is a humble, low-slung bungalow-like edifice that sits back off of Main Street between 16th and 17th Streets. It seems utilitarian on the outside, and the interior is open and efficient; a good space for a reception. When 1619 opened its doors one year ago, there was a party attended by a host of Louisville VIP’s: Mayor Greg Fisher, Ghislain D’ Humeires, Teddy Abrams, and many others. The high profile event drew a large crowd and the owners engaged a valet parking company to handle the traffic. That doesn’t seem unreasonable for such a glittering night, but later they heard negative comments from the neighbors. “They said to us, ‘seeing valet parking told us we weren’t welcome,’” says Nichols. “Which is exactly the opposite of what we intended.”

"Portland Car Show" by Adam Horton, 8x11in, photograph

"Portland Car Show" by Adam Horton, 8x11in, photograph

Which just underscores the challenge of trying to focus creative social activism through a physical location designed to pull people across the mythical 9th Street divide.

"Consume" by Bryan K. Holden, 48x72x9in, Plastic Liquor Bottles, Cardboard Homeless Signs, Wood, Resin, Ink, Paint, Liquor, Cigarette Butts, Pills, Syringes, Keys and Wedding Ring

"Consume" by Bryan K. Holden, 48x72x9in, Plastic Liquor Bottles, Cardboard Homeless Signs, Wood, Resin, Ink, Paint, Liquor, Cigarette Butts, Pills, Syringes, Keys and Wedding Ring

Hoping to clarify their intentions, Nichols and Levesque invited artist and West End resident Gwendolyn Kelly to co-curate a new exhibit that opens April 15, Neighborhood Revitalization & The Creative Flow. Although it does feature artists: Adam Horton, Randall Webber, Anne Huntington, Gwendolyn Kelly, Bryan K. Holden, Scott Vinson, D.R. Stewart, REMI, Kacy Jackson, Dwayne Whidby, Josh Ison, Shaun Sargent, Andrew Cozzens, and Erik Nohalty will all have work in the show, it will also highlight people and businesses that are making a creative difference in neighborhoods in transition: Algonquin, Butchertown, California, Chickasaw, Germantown, NuLu, Parkland, Park DuValle, Park Hill, Phoenix Hill, Portland, Russell, Shawnee, Smoketown, and SoBro/SoFo, among others.

One of the ways they accomplish this is by devising categories for people who affect change through creative action. In the statement for the exhibit, the curators state: “Creative people help to revitalize neighborhoods as architects, artists, connectors, employers, muralists, navigators, and witnesses. Art and activism emerges when creative people invest their time, money, and energy in neighborhoods in flux.”

"Pharoah Sanders" by Kacy Jackson, 48x24in, acrylic and spray paint on board

"Pharoah Sanders" by Kacy Jackson, 48x24in, acrylic and spray paint on board

Nichols, Levesque and Kelly came up with a series of identities:

Navigator
Architects
Witnesses
Connectors
Muralists
Employers
Artists
Evolvers

They see these terms as establishing entry points for individual to become a part of the discussion. “There is so much going on,” says Kelly, “but if people can identify with one of these roles, then they are involved.” The roles encompass people, businesses, social agencies, and art non-profits. “Connectors are churches, school, organizations like Louisville Visual Art,” explains Levesque, “Employers are obvious, but some of the other categories are more subtle in their definition, and, of course, we are all witnesses.”

It may seem surprising that Nichols and Levesque opened their space while still trying to figure things out, but their lack of arrogance and willingness to learn and grow provides an important example for people of means who want to make a difference in the community. It’s too easy to talk yourself out of taking such a risk, and nobody wants to look foolish, but perhaps in the territory where angels fear to tread is exactly where we might find the greatest opportunity for change.

Grand Re-Opening and One-Year Anniversary!
1619 FLUX: Art + Activism’s
Neighborhood Revitalization & The Creative Flow Exhibition

Saturday, April 15th, 2017
5:00pm - 10:00pm

Meat from Superior Meats, BBQ by Boss Hog, wine & beer, sides and desserts from The Table, Farm To Fork, and Sweet Peaches

Live music with WoWuWoo & Krew from 8:00pm to 10:00pm

"Phoenix Hill" by Adam Horton, 8x11in, photograph

"Phoenix Hill" by Adam Horton, 8x11in, photograph

"Sweet Peaches Restaurant Mural" by Resko, Photo by Randall Webber. 8x11in

"Sweet Peaches Restaurant Mural" by Resko, Photo by Randall Webber. 8x11in

"Smoketown Teardown" by Adam Horton, 36x36in, photograph

"Smoketown Teardown" by Adam Horton, 36x36in, photograph

Written by Keith Waits. Entire contents copyright © 2017 Louisville Visual Art. All rights reserved.

Are you interested in being on Artebella?    Click here    to learn more.

Are you interested in being on Artebella? Click here to learn more.

Painting

Vignette: Joyce Garner

"Cellist" by Joyce Garner, 6x18ft, oil on canvas (2014), $22,000 |  BUY NOW

"Cellist" by Joyce Garner, 6x18ft, oil on canvas (2014), $22,000 | BUY NOW

Garner in her studio with a blank canvas.

Garner in her studio with a blank canvas.

Joyce Garner is a self-taught painter and native Kentuckian who paints large. Her Big Paintings come from her ongoing series of “table paintings”, wall-sized compositions, “…telling the complications of family through time,” says Garner. “They are filled with hopes, regrets and wishes—from the past, and for the future.” 

The artist likens these paintings to novels, the visual equivalent of long-form literary narratives comprised of many smaller stories. Patience is rewarded with this work - allowing your mind to slowly explore the people and the interactions. You might imagine you can hear the words being spoken, some of them in the heat of anger, some barely discernible whispers that you must strain to comprehend. These are, after all, whether by blood or association, families, and families are where we find the deepest currents of human emotion.

“My biggest paintings, shown un-stretched, began with frustration from working with smaller canvases. I got tired of banging around all the panels. Canvas comes in a roll or bolt. Different widths are available but a standard length is 6 yards. So I decided to paint the bolt.” 

"Chopsticks" by Joyce Garner, 60x48in, oil on canvas (2016), NFS

"Chopsticks" by Joyce Garner, 60x48in, oil on canvas (2016), NFS

Garner also owns a gallery in Louisville, Kentucky in the NuLu neighborhood: garner narrative contemporary fine art, and is also represented by galleries in Georgia, Ohio, and Tennessee. Her works have been exhibited in various galleries across the country and internationally. In June of 2016 her 29 foot-long mural, "catch a falling star," was installed in the UK Chandler Medical Center in Lexington, Kentucky.

Hometown: Louisville, Kentucky
Education: University of Kentucky, B.S., 1968
Website: tablepaintings.com
Gallery Representation: garner narrative contemporary (Louisville)

"Joyce Garner in her studio" Photo by Sarah Katherine Davis For LVA (2016)

"Joyce Garner in her studio" Photo by Sarah Katherine Davis For LVA (2016)

"Power Outage" by Joyce Garner, 48x60in, oil on canvas   (2016), $4500 |  BUY NOW

"Power Outage" by Joyce Garner, 48x60in, oil on canvas (2016), $4500 | BUY NOW

"Rickrack" by Joyce Garner, 48x60in, oil on canvas   (2016), $4500 |  BUY NOW

"Rickrack" by Joyce Garner, 48x60in, oil on canvas (2016), $4500 | BUY NOW

"Testing The Waters" by Joyce Garner, 48x60in, oil on canvas   (2016), $4500 |  BUY NOW

"Testing The Waters" by Joyce Garner, 48x60in, oil on canvas (2016), $4500 | BUY NOW

"Wallpaper" by Joyce Garner, 48x60in, oil on canvas   (2016), $4500 |  BUY NOW

"Wallpaper" by Joyce Garner, 48x60in, oil on canvas (2016), $4500 | BUY NOW

Are you interested in being on Artebella? Click here to learn more.

Written by Keith Waits. Entire contents copyright © 2016 Louisville Visual Art. All rights reserved.

Please contact    josh@louisvillevisualart.org    for further information on advertising through Artebella.

Please contact josh@louisvillevisualart.org for further information on advertising through Artebella.