galleries

Mixed Media

Q&A: Deborah Stanley


“Experience will be more valuable than anything learned in the classroom.”
— Deborah Stanley


Artist Deborah Stanley

Artist Deborah Stanley

Deborah Stanley has been a juried member of the Louisville Artisans Guild (LAG) since 2011 and a member of the Louisville Visual Art (LVA) since 2014 and have been a participatant in the Art[squared] project since its inception.  Her work has been displayed and featured in various art galleries and exhibitions in the Louisville area such as LAG 2016 Holiday Showcase and 2016 Annual Exhibit; Kaviar Forge and Gallery (Touched with Fire, 2016 and The Figure Revealed, 2014, juried participant); Gallery 104 in La Grange, KY (the 2014 Red Show, juried participant), 2013 Crafts of Kentucky Exhibition, (juried participant), JCC Patio Gallery Presents Louisville Artisans Guild, 2013, the 2012 and 2013 Brown-Foreman Annual Pride Fair, The KORE Gallery (former partner), 2012 September Art Fair Mellwood Art Center, juried participant, Louisville Artisans Guild Annual Art Exhibit, and The Women's Club of Louisville (2012 Annual No-Jury Art Show).

When did you first think you would be an artist?

2004

Who or what inspires you now?

Beautiful and colorful visual imagery in nature or photo images  

"Lukas" by Deborah Stanley, 8x10in, polymer clay (2016) $350 |  BUY NOW

"Lukas" by Deborah Stanley, 8x10in, polymer clay (2016) $350 | BUY NOW

Your work is unique, and blurs many lines. How did you come to work with polymer clay?

I was working on an art project with my young son and needed something different and colorful that would be easy enough for a child to make into simple shapes. However, I found an immediate connection and affinity for the feel of the clay and the endless possibilities I saw when the colors are blended. 

You describe yourself as an “abstract expressionist,” yet the images also contain representational figures and faces – talk about how you balance the two strains in your work?

I strive to express an emotion or feeling with every piece I create. While many of my creations contain representational figures and faces, my concentration is on communicating emotion or feeling rather than trying to create a technically correct replica of a particular subject. I would say my balance of the two strains is giving just enough technical detail to capture the essence of the subject and let abstract expressionism take over from there.

"  Gypsy Dancer" by Deborah Stanley, 9x12in, polymer clay (2016) $425 |  BUY NOW

"Gypsy Dancer" by Deborah Stanley, 9x12in, polymer clay (2016) $425 | BUY NOW

If you could do anything else but make art, what would it be?

Photography. I have always had a passion for photography and previously owned and operated a photography business specializing in wedding and family photographs.

What frightens you the most?

Bugs!

What challenges you more than anything?

Coloring within the lines.

What is your favorite music to listen to when making art?

R&B/hip hop/rap/oldies/pop  

Vinyl or CD?

iTunes - Sorry but if I have to choose between the two, it would be CD

What advice would you give a young artist just out of college?

Experience will be more valuable than anything learned in the classroom. Keep working and never feel like you've "arrived". You will always improve if you keep working.

Tell us about an important moment of transition for you as an artist?

For my first several years as an artist, I exclusively created abstract designs, always determined to "let go/let flow" with the clay. A few years ago, I accepted a commission, which required the inclusion of a representational figure. This commission challenged me to find the most creative way to express freedom while meeting the requirement of my client. This was a pivotal moment for me and gave me the outlet to express myself or an idea or feeling in every piece I now create.

"Sheba" by Deborah Stanley, 9x12in, polymer clay (2016) $425 |  BUY NOW

"Sheba" by Deborah Stanley, 9x12in, polymer clay (2016) $425 | BUY NOW

How do you feel about local art scene in Louisville? What would you change about it?

I love the art scene in Louisville. As a transplant from the Washington, DC area, I was pleasantly surprised at how art friendly Louisville is. Just walking downtown and admiring the artistic bike racks and generations of "Gallopalooza" horse statues is always entertaining. There are plenty of galleries and venues that are very welcoming for local artists of all levels. I wouldn't change a thing.

Has your style changed or evolved over the years? If so what do you think influenced this?

Yes. As I described above, my style has evolved from strictly abstract, to Abstract Expressionism utilizing representational figures or faces. It was a required element in a new commission, so I had to give it a try and have not looked back!

MV5BMzMzNzU0NzQ1NF5BMl5BanBnXkFtZTcwNTMzOTEzMQ@@._V1_SY1000_SX670_AL_.jpg

Favorite movie?

"Something New"

If you could meet any celebrity who would it be and what would you ask them?

Boy George. I would ask him where his courage comes from to have demanded to live and look his own way since childhood. His love of freedom and honest way of expressing himself has always been an inspiration to me.

Hometown: Silver Spring, Maryland
Age: 52
Education: Studied Business Administration and Sociology at Montgomery College in Rockville, MD
Website: http://www.aegalleryshop.com

"Color Chameleon" by Deborah Stanley, 9x12in, polymer clay (2016) $425 |  BUY NOW

"Color Chameleon" by Deborah Stanley, 9x12in, polymer clay (2016) $425 | BUY NOW

"The People's Champ" by Deborah Stanley, 9x12in, polymer clay (2016)

"The People's Champ" by Deborah Stanley, 9x12in, polymer clay (2016)

"The Purplest" by Deborah Stanley, 11x142in, polymer clay (2016), $500   |  BUY NOW

"The Purplest" by Deborah Stanley, 11x142in, polymer clay (2016), $500 | BUY NOW

Entire contents copyright © 2016 Louisville Visual Art. All rights reserved.

Are you interested in being on Artebella?    Click here    to learn more.

Are you interested in being on Artebella? Click here to learn more.

Painting, Mixed Media

Q&A: Artist David Iacovazzi-Pau


"People need to be educated about the value of art." — David Iacovazzi-Pau


David Iacovazzi-Pau: Photo by Michael Brohm

David Iacovazzi-Pau: Photo by Michael Brohm

David Iacovazzi-Pau’s work focuses on the human figure and is a visual diary of the people he encounters. His series reveal different aspects of the sitters and the link between their physical appearance and personality. “My aim is to portray idiosyncrasies and evoke the mood of the subject in order for the portrait to have an accurate likeness and affect. The work reflects what I sense about a person and is a documentation of my community.” 

Born 1978 in Luxembourg, Iacovazzi-Pau began his education in fine arts from the age of 15 in Belgium. He later attended the Centre Académique des Arts in Luxembourg and immigrated to the United States in 1997, studying at Indiana University Southeast. He currently lives and works in Louisville, Kentucky.

When did you first think you would be an artist?

I don’t recall a specific time or moment. Over the years I gradually felt I was one. It was obvious early on that I was not going to be a mathematician …

If you could do anything else but make art, what would it be?

Probably something related to art history. Then again running a vineyard could be fun too.

"Little Miss Flint" ("Conversation with Teddy Abrams" Series) by David Iacovazzi-Pau, 12x8.5in, Ink drawing and inkjet on paper (2016)—5999 ink lines representing the amount of children that were affected by lead in Flint's tap water.

"Little Miss Flint" ("Conversation with Teddy Abrams" Series) by David Iacovazzi-Pau, 12x8.5in, Ink drawing and inkjet on paper (2016)—5999 ink lines representing the amount of children that were affected by lead in Flint's tap water.

What frightens you the most?

Crowd manipulation, albeit interesting, is frightening. I also have a phobia of reptiles, especially snakes. 

What is your favorite music to listen to when making art?

That varies, a lot of jazz and classical. Sometimes I turn on the French news for a while. And sometimes silence seems to be my preference.

Favorite movie?

A Pure Formality by Giuseppe Tornatore, starring Roman Polanski and Gérard Depardieu.

What are you reading right now?

“Portraits by Ingres: Image of an Epoch", and the Philip Guston Retrospective (2003) catalogue.

"Self Portrait with Maya (in the studio)" by David Iacovazzi-Pau, 30x24in, oil on paper (2016)

"Self Portrait with Maya (in the studio)" by David Iacovazzi-Pau, 30x24in, oil on paper (2016)

If you were given a $100,000 what would do with it?

I'll let you know when I get the $100,000.

What advice would you give a young artist just out of college?

I would encourage them to see as much artwork as they can whether it's in museums, galleries, or studios. Contemporary art as well as historical are fabulous sources of inspiration. Also, don't worry about fitting in, paint for yourself and make artwork that excites you. 

What does art mean to you?

Art means different things to me. I was lucky to be encouraged to draw and paint from a young age, so it has become a way of life. As an artist I’m working within my own means and in the process there's self-doubt, frustrations and disappointment but in spite of it all, I enjoy working things out in a painting. It gives me a sense of freedom and purpose when I'm engaged with it.

"Teddy #2" ("Conversation with Teddy Abrams" Series) by David Iacovazzi-Pau, 24x18in, graphite on paper (2016)

"Teddy #2" ("Conversation with Teddy Abrams" Series) by David Iacovazzi-Pau, 24x18in, graphite on paper (2016)

If you could have a talent that you currently don't already have what would it be and why?

Having the skills to be an eloquent orator would be my first choice. It makes things a lot easier if you are able to articulate your thoughts well. 

How do you feel about the local art scene in Louisville? Would you change anything about it?

The amount of local artists is increasing and they are good. The problem is that there are just not enough buyers to sustain it. Galleries will close and artists will continue to struggle (nothing new here) but also move away as long as we don't see any changes. People need to be educated about the value of art. They will then in turn invest in the local visual art scene. 

A photo from David's studio (2016)

A photo from David's studio (2016)

Has your style changed or evolved over the years? If so what do you think influenced this?

Yes, it did. Probably because of being exposed to different styles and new artists. Also, making mistakes can take you to uncharted territories; you can learn and grow from it. I like to think that I did. But I think progress and change mainly comes from working. Chuck Close has a great quote, "Inspiration is for amateurs, the rest of us just show up and get to work."

What do you feel is your greatest flaw? 

I tend to obsess over things and I can be stubborn, that's the Breton in me.

Name: David Iacovazzi-Pau
Hometown: Grand Duchy of Luxembourg
Age: 37
Education: Centre Académique des Arts in Luxembourg and Indiana University Southeast
Website: http://www.davidiacovazzipau.com/
Gallery Representative: Swanson Contemporary Gallery

"Teddy #3" ("Conversation with Teddy Abrams" Series) by David Iacovazzi-Pau, 24x18in, oil on paper (2016)

"Teddy #3" ("Conversation with Teddy Abrams" Series) by David Iacovazzi-Pau, 24x18in, oil on paper (2016)

Are you interested in being on Artebella? Click here to learn more.

Written by Keith Waits. Entire contents copyright © 2016 Louisville Visual Art. All rights reserved.

Please contact    josh@louisvillevisualart.org    for further information on advertising through Artebella.

Please contact josh@louisvillevisualart.org for further information on advertising through Artebella.