communication

Painting

Vignette: Joshua Jenkins

"Searching For Enlightenment" by Joshua Jenkins, 43 x 64 x 1 in, acrylic and mixed media on canvas (2017)

"Searching For Enlightenment" by Joshua Jenkins, 43 x 64 x 1 in, acrylic and mixed media on canvas (2017)


“Art to me is the soul’s communication - a response to experience and life.” — Joshua Jenkins


"Summertime Contemplation" by Joshua Jenkins, 24 x 18 x 1 in, acrylic and mixed media on canvas (2017)

"Summertime Contemplation" by Joshua Jenkins, 24 x 18 x 1 in, acrylic and mixed media on canvas (2017)

Like any good Expressionist, Joshua Jenkins builds an atmosphere divorced from recognizable reality, and then populates it with figures of solidity that are often indistinct, occupying space as a mass but lacking the specifics of individual character. There is some detail in the faces he attaches to these figures, often on necks that protrude forward, so that the features often give the impression of a mask. Oftentimes the only insight provide for these figures are what they are holding: a stringed instrument is a common item, or a particular hat might give us some clue about the personality. Jenkins is more concerned with the composition and action of the paint, using setting and placement to suggest narrative.

“Some of the works in the show, like 'Summertime Contemplation' & 'Searching for Enlightenment' are an obvious transition from the body of work from my show Somewhere In Between Anxiety & Serenity,” states Jenkins. “There a lot of the paintings had more muted colors and calmer lines. A lot of these newer pieces harken back to my earlier work, the bolder style with warmer colors that I’m known for.”

"Summer Heat (detail)" by Joshua Jenkins

"Summer Heat (detail)" by Joshua Jenkins

"Summer Nights" by Joshua Jenkins, 48 x 30 x 1.5 in, acrylic and mixed media on canvas (2017)

"Summer Nights" by Joshua Jenkins, 48 x 30 x 1.5 in, acrylic and mixed media on canvas (2017)

For many artists, the theme of summer would conjure up images of sunbaked landscapes, perhaps a beach-lined coastline - open areas of escape. But in “Summer Heat”, Jenkins captures the claustrophobic swelter of a crowded urban environment. This artist’s summer also include a domestic scene of four figures in a modern day family in “Summer Nights”, and the detail of the faces is noticeably more developed, with hair and facial details that suggest an element of autobiography in the scene. As most of the paintings show figures of some universality, here we get the sense that Jenkins knows these people, that this is his summer, and not necessarily anyone else’s.

Jenkins’ solo show, Summertime, will be opening at Lenihan Sotheby’s International Realty, 3803 Brownsboro Road, August 10 with an Artist’s Open House from 5:00pm-7:30pm.

Hometown: Poughkeepsie, NY
Age: 30
Education: BA in Digital Media with a Minor in Studio Art, Marist College (Poughkeepsie, New York)
Gallery Representative: Joshua is self-represented locally, but has works available at Revelry Gallery, KORE Gallery, New Editions Gallery (Lexington, KY), and at Caza Sikes (Cincinnati, OH)
Website: http://www.joshuajenkinsart.com

"Summer Heat" by Joshua Jenkins, 64 x 59 x 1 in, acrylic and mixed media on canvas (2016-2017)

"Summer Heat" by Joshua Jenkins, 64 x 59 x 1 in, acrylic and mixed media on canvas (2016-2017)

"Summer Nights (detail)" by Joshua Jenkins

"Summer Nights (detail)" by Joshua Jenkins

"Nature’s Musicians" by Joshua Jenkins, 36 x 48 x 1.5 in, acrylic and mixed media on canvas (2017)

"Nature’s Musicians" by Joshua Jenkins, 36 x 48 x 1.5 in, acrylic and mixed media on canvas (2017)

Written by Keith Waits. Entire contents copyright © 2017 Louisville Visual Art. All rights reserved.

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Photography

Vignette: Julius Friedman (1943-2017)

"Peony" by Julius Friedman, photography

"Peony" by Julius Friedman, photography

Artist, Julius Friedman. Photograph by Sarah Davis.

Artist, Julius Friedman. Photograph by Sarah Davis.

Once when Julius Friedman was delivering an informal lecture for Louisville Visual Art, he noted how the cover of his most recent book at the time, “Images & Ideas”, was a shot of the condensation on his shower door, and how he had once waited 2 hours for a car to move off a particularly fascinating oil and water puddle in a parking lot so he could photograph it.

Friedman’s images are characteristically so expertly constructed and expressive of a stringent graphic discipline that the randomness at the root of this anecdote seems surprising, but I think the lesson is that an artist does indeed see the world differently; at all times observing their environment on a fundamentally different level than the average citizen.

Art is communication, so if the ability to share that point-of-view is the most important measure of an artist, then Friedman must be counted as a Modern Master. His commercial work, most notably the posters that made him famous in the 1970’s, are brilliant in capturing the appeal of art in terms so vivid as to command the attention of all levels of society. In effect, he established a brand for the arts in Louisville, designing iconic images for so many important arts organizations: The Speed Museum, Louisville Visual Art, the Louisville Ballet, the Louisville Orchestra…the list goes on and on.

"Erica de La O 1" by Julius Friedman, 20x30in, photography printed on aluminum (2010)

"Erica de La O 1" by Julius Friedman, 20x30in, photography printed on aluminum (2010)

He did no less in his personal work, exploring technique on an esoteric level that always translated to fun and fascination for the viewer. He photographed Louisville Ballet dancer Eric De La O exhaustively but never exhausted the subject, producing dozens of potent images over several years. He photographed flowers, a prosaic and common subject that in Friedman’s hands become an astonishing example of his own relationship with nature. The same observation applies to his Becoming Wisteria series, images of model Alli Wiles positioned among the wisteria on his 200-acre farm.

"Toe On Egg" by Julius Friedman

"Toe On Egg" by Julius Friedman

In 2016, Frazier Museum in Louisville hosted a vital retrospective of Friedman’s work, showing more than 200 posters and also incorporating The Book, a project in which he deconstructed a collection of discarded books and which was his last published work. There was also a dazzling installation of color photographs on aluminum that, in and of itself was impressive enough to represent his creative vision, but what most excited the artist was an immersive screening of his most recent film work, flowing, abstract images of water in nature.

It was just water running in a stream – or it was simply peonies, or a painter’s palette, or an old book, but Julius Friedman always made us see the commonplace in a new light.

Hometown: Louisville, Kentucky
Website: http://www.imagesol.com

Nathan Felde, Fred DeSanto, and Julius Friedman (c.1970) outside Images studio. Photographer unknown, courtesy Tad DeSanto.

Nathan Felde, Fred DeSanto, and Julius Friedman (c.1970) outside Images studio. Photographer unknown, courtesy Tad DeSanto.

"Untitled #10" by Julius Friedman, 20x30in, photograph printed directly on raw aluminum (2015)

"Untitled #10" by Julius Friedman, 20x30in, photograph printed directly on raw aluminum (2015)

Book cover for "Images & Ideas" by Julius Friedman

Book cover for "Images & Ideas" by Julius Friedman

"Fresh Paint" by Julius Friedman, photography

"Fresh Paint" by Julius Friedman, photography

Artist, Julius Friedman. Photo courtesy of John Nation.

Artist, Julius Friedman. Photo courtesy of John Nation.

Written by Keith Waits. Entire contents copyright © 2017 Louisville Visual Art. All rights reserved. 

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Painting

Vignette: Debra Lott

"Virtual Reflection" by Debra Lott, 36x72in (diptych), oil on canvas (2017), $2400 |  BUY NOW

"Virtual Reflection" by Debra Lott, 36x72in (diptych), oil on canvas (2017), $2400 | BUY NOW

Lott in her studio.

Lott in her studio.

When painter Debra Lott observes that we live in a, “…world where the virtual and authentic collide and confuse,” the degree of understatement is not meant to be sarcastic, but simply a way to explain the foundation on which she has built her newest work. Self-portrait has not been such an overt theme in her previous work, although she has been focused on a woman’s existence in the contemporary society in a fashion so personal that it nearly passes as the same thing. Such is the nature of art that it always reveals something important about the artist.

Now Lott places herself unmistakably front and center to speak to the narcissistic tendencies of modern communication:

“My inspiration and influences are the popular mass media. This source became the tipping point for my experimentation into painting this series. The absurdity of the media images prompted me to take my work in a new direction. The paintings form satirical statements that incorporate figurative distortion and exaggeration while mocking the media’s use of photo- shopped, erotic, and often implausible poses.”  

"Going to Great Lengths" by Debra Lott, 30x20in, oil on canvas (2016), $950  |  BUY NOW

"Going to Great Lengths" by Debra Lott, 30x20in, oil on canvas (2016), $950  | BUY NOW

“My techniques include distortion, elongation, detachment and segmentation. The expressive brushstrokes and fantasy color schemes are symbolic of the theatrical and sensational drama of cultural media. My expressive and quasi abstract style combine color, form and texture to convey the illusion of beauty that is often construed as reality.

“My goal is to move in a direction toward further experimentation and abstraction. I began experimenting with the concept of ‘authentic’ versus ‘virtual’ especially as it applies to cultural media. To communicate this idea of counterfeit, I chose a complementary color scheme and ‘like values’ that allow the subject and background to overlap and create some uncertainty as to what is positive and negative space. My goal was to increase the abstraction of the content and cause the body to become part of the surrounding space.”  

"Yes I Can" by Debra Lott, 30x48in, oil on canvas (2017), $1400 |  BUY NOW

"Yes I Can" by Debra Lott, 30x48in, oil on canvas (2017), $1400 | BUY NOW

Lott presently has 2 pieces in the Owensboro Art Guild 55th Juried Exhibition, up through April 14th, 2017, and a solo show titled, Collections, runs through April 16, 2017 at the Pigment Gallery at Mellwood Arts Center in Louisville. There will be an Artist’s Reception, March 31st 6-9pm

"Self Love" by Debra Lott, 30x20in, oil on canvas (2017), $775 |  BUY NOW

"Self Love" by Debra Lott, 30x20in, oil on canvas (2017), $775 | BUY NOW

Selected Adjudicated Exhibitions:
2018 - Owensboro Museum of Fine Art, OAG 55th Juried Exhibition, Owensboro, KY, February 25-April 14, 2017
2017 - Lexington Art League, Demographically Speaking, A Figurative Exhibition, Lexington, KY, January13-February 12, 2017
2016 - Art Comes Alive 2016, ART Design Consultants Inc. Cincinnati, OH, July 23-August 29, 2016 Figurative Artist of the Year Award
2015 - The Chautauqua National Exhibition, Eastern Kentucky University, Richmond, KY 1/26/2015-2/20/2015
2013 - The Art at the X National Juried Exhibition, Xavier University, Cincinnati, 'Multicultural Expressions of Faith', Award of Excellence, August 23-October 11, 2013
2010-2013 - National Art Education Women Caucus Juried Art Exhibition, 2010, 2011, 2012, 2013
2011 - 55th Mid-states Juried Art Exhibition, Evansville Museum of Arts, History and Science, Indiana, December- March 2011
2010 -  Manifest Gallery International Drawing Annual- Exhibition in Print, Cincinnati Ohio, art work selected - Seasons of Grace, Charcoal on Paper
2010   Water Tower Regional, Louisville Visual Art Association, KY, January 24-March 7, 2010
2009   54th Mid-States Juried Art Exhibition, Evansville Museum of Arts, History and Science, Indiana, Dec 7-January 18, 2009.
2007   Mad Art Gallery, St Louis, Missouri, Contemporary Women Artists XIV, International Juried Exhibition, Sept 7-29, 2007, St Louis Chapter of the National Women’s Caucus for the Arts
2006   Kniznick Gallery of the Women’s Studies Research Center, Brandeis University, Boston, Vital Voices: Women’s Visions, 2006, (National Juried Exhibition in conjunction with National Women’s Caucus for the Arts)

Hometown: Lake Worth, Florida
Age: 65
Education: MAT with a concentration in painting, Florida Atlantic University, a BA in Art Education, Palm Beach Atlantic University
Gallery Representation: PYRO Gallery
Website: http://www.debralott.com/

"Original Selfie" by Debra Lott, 24x24in, oil on canvas (2017), $675 |  BUY NOW

"Original Selfie" by Debra Lott, 24x24in, oil on canvas (2017), $675 | BUY NOW

Written by Keith Waits. Entire contents copyright © 2017 Louisville Visual Art. All rights reserved.

Are you interested in being on Artebella?    Click here    to learn more.

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Painting

Vignette: Cheryl Chapman

"High Wire" by Cheryl Chapman, 20x20in, oil on canvas, $1300   |    BUY NOW

"High Wire" by Cheryl Chapman, 20x20in, oil on canvas, $1300 BUY NOW

As is true of perhaps most artists, each of Cheryl Chapman’s paintings is something of a journey, but Chapman doesn’t always know where exactly she will wind up. Working by instinct fashioned over a solid intellectual foundation, she works in intimate concert with her medium, whether it be oil, her primary choice, graphite, charcoal and occasional collage on panel or canvas. 

“My painting is non-objective picture making in the tradition of abstract expressionism. Color and line are the dominant elements particularly focusing on the shared ground of communicative and pictorial symbols. I endeavor to explore the place where communication becomes communion. Paintings are produced with that goal in mind but are never planned; they happen.”

Patterns emerge in Chapman’s paintings that call to mind textile work, and the marks function in the same overlapping fashion: woven brushstrokes that build a dense interplay of space and surface, illusion and reality, that represent the essence of abstract expressionism.

Chapman has work in the collections of University of KY AB Chandler Medical Center, Brown Forman Corporation, Louisville, KY, PNC Financials, New York, NY, Good Samaritans Secondary Academy, Delhi, INDIA as well as in the Congressional Office of the Honorable John Yarmuth, Washington, DC.

Hometown: Louisville, Kentucky
Age: 60
Education: MFA, University of Kentucky
Website: http://www.cherylchapmanstudio.com
Gallery Representative: Galerie Hertz (Louisville, Kentucky) New Editions Gallery (Lexington, Kentucky) and Elder Gallery (Charlotte, North Carolina)

"Attic Dream" by Cheryl Chapman, 48x60in, oil on canvas, $4800   |    BUY NOW

"Attic Dream" by Cheryl Chapman, 48x60in, oil on canvas, $4800 BUY NOW

"Runaround" by Cheryl Chapman, 60x48in, oil on canvas, $4800   |    BUY NOW

"Runaround" by Cheryl Chapman, 60x48in, oil on canvas, $4800 BUY NOW

"Sea Change" by Cheryl Chapman, 36x36in, oil on canvas, $3000   |    BUY NOW

"Sea Change" by Cheryl Chapman, 36x36in, oil on canvas, $3000 BUY NOW

"Wild Card" by Cheryl Chapman, 48x48in, oil on canvas, $4200   |    BUY NOW

"Wild Card" by Cheryl Chapman, 48x48in, oil on canvas, $4200 BUY NOW

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Written by Keith Waits. Entire contents copyright © 2016 Louisville Visual Art. All rights reserved.

Please contact    josh@louisvillevisualart.org    for further information on advertising through Artebella.

Please contact josh@louisvillevisualart.org for further information on advertising through Artebella.