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Painting

Vignette: William Pichette


What portions of our self do we edit, manipulate, and hide from view for the greater good of likes and followers? – William Pichette


"Under Control" by William Pichette, 8x20in, acrylic on printed canvas (2016), $210 |  BUY NOW

"Under Control" by William Pichette, 8x20in, acrylic on printed canvas (2016), $210 | BUY NOW

William Pichette is a painter who sees the inherent qualities of his medium as integral to expressing the themes in the imagery. In his own words: “The thrill of the acrylic paint medium comes from how quick you must work to create. The paint dries very fast but each attempt at progress easily hides the previous attempts. Hiding ourselves proves more difficult. Once we reveal our truths through action and speech, it is not so easily undone. In a world where compliance and filtering our daily expression is the norm, muting the brilliance of our emotion is preferred, and it would be an outrageous offense to demonstrate weakness, vulnerability, honesty—humanity—I cherish in sight of visibility.”

Pichette often sets his figures against patterned backgrounds, the human a silhouette initiating a conversation with negative space, full of emotional suggestion, signs and portents.

“My pieces are inspired both by how we see and how we are seen. How do we see ourselves behind closed doors, looking in vanity mirrors, and through the lenses of our Instagram and Snapchat feed? What portions of our self do we edit, manipulate, and hide from view for the greater good of likes and followers? Those raw bits; the understanding of ourselves we hold so true that we would hate for others to see. Those nuances draw my focus; typically not blemishes and physical flaws of our outward appearance, but parts of our body none-the-less. They are the fights with mental illness and turmoil of thought, our agitation and need for direction, the imprints of the souls of others and the scars of love lost.”

Pichette just participated in 2017 Group Exhibition, Queer Voices, at Open Community Arts Center, Louisville, KY.

Age: 25
Hometown: Austin, Texas
Education: Bachelor of Liberal Arts in Ethnic Studies (Asian-American Studies), University of Texas
Instagram: https://www.instagram.com/Shquiggles/

"Impressionable Young Minds - Christine" by William Pichette, 8x10in, acrylic and ink on canvas (2016), $140 |  BUY NOW

"Impressionable Young Minds - Christine" by William Pichette, 8x10in, acrylic and ink on canvas (2016), $140 | BUY NOW

"Wanderlust" by William Pichette, 8x10in, acrylic and ink on canvas (2016), $140 |  BUY NOW

"Wanderlust" by William Pichette, 8x10in, acrylic and ink on canvas (2016), $140 | BUY NOW

"Impressionable Young Minds - Will" by William Pichette, 8x10in, acrylic and ink on canvas (2016), $140 |  BUY NOW

"Impressionable Young Minds - Will" by William Pichette, 8x10in, acrylic and ink on canvas (2016), $140 | BUY NOW

"See and Be Seen" by William Pichette, 8x10in, acrylic and ink on canvas (2015), $110 |  BUY NOW

"See and Be Seen" by William Pichette, 8x10in, acrylic and ink on canvas (2015), $110 | BUY NOW

"Turbulent Thought" by William Pichette, 18x18in, acrylic on wood board (2016), $375 |    BUY NOW

"Turbulent Thought" by William Pichette, 18x18in, acrylic on wood board (2016), $375 | BUY NOW

Written by Keith Waits. Entire contents copyright © 2017 Louisville Visual Art. All rights reserved. 

Are you interested in being on Artebella?  Click here  to learn more.

Are you interested in being on Artebella? Click here to learn more.

Photography, Mixed Media

Vignette: Jenny Zeller


“I continually look to the past to process the present.” – Jenny Zeller


"Suckle" by Jenny Zeller, 8.5x8.5in, digital photograph, encaustic and modeling impasto waxes, oil pastels and image transfer on board

"Suckle" by Jenny Zeller, 8.5x8.5in, digital photograph, encaustic and modeling impasto waxes, oil pastels and image transfer on board

Jenny Zeller is the Bernheim Arboretum and Research Forest’s first recipient of a ‘Regional Artist in Residence’ award, part of their Arts in Nature program, which includes residencies for artists from around the world.

On her website, Zeller expresses enthusiasm for the opportunity: “Bernheim is providing me a stipend and temporary living quarters in exchange for a work of art to be left to the Bergheim Foundation. This particular residency is also unique in that I have access to all horticulture and operations departments, as well as ecologists, scientists, naturalists and forest managers. I am also allowed admittance to most scheduled hikes and eco classes offered throughout the calendar year. I have literally been invited to become part of the entire ecosystem at this amazing place and I love how this program enhances the visitor experience through arts interaction.”

Zeller, who is primarily a photographer, spent the month of April at Bernheim, working at Lake Nevins Studio and shooting images for a planned multi-panel photography installation to be installed on the Bergheim grounds. Thursday July 6th, she will be speaking about her experiences at Bernheim at the Wildlands Social Club, an event hosted by Kentucky Natural Lands Trust at 21c Louisville, 6-9pm.

"Through the Trees Comes Autumn" by Jenny Zeller, 30x40in, digital image transfers and oil paint on custom made aluminum substrate

"Through the Trees Comes Autumn" by Jenny Zeller, 30x40in, digital image transfers and oil paint on custom made aluminum substrate

In 2017, Zeller was also awarded an Artist Professional Development Grant from the Great Meadows Foundation. The travel grant allowed her to attend CONTACT, the world’s largest photography festival, held in Toronto Canada each May.

Zeller has also been the Education Coordinator for the Louisville Photo Biennial since 2015, and is currently teaching a class at Zoom Groups' Studio Works in partnership with the Biennial, a 12-week course that will result in a Studio Works exhibition for the Louisville Photo Biennial in October.

The 2017 Louisville Photo Biennial is a regional festival occurring in over 60 venues throughout the Louisville, Lexington, and Southern Indiana area from September 22-November 11. Through exhibits, receptions, workshops and educational opportunities, the Biennial celebrates the medium of photography in all of its richness and variety, and its ability to touch and enrich our lives.

"New (found) Harmony" by Jenny Zeller, 24x24in, dye sublimanation print on aluminum

"New (found) Harmony" by Jenny Zeller, 24x24in, dye sublimanation print on aluminum

As an exhibiting artist, Zeller’s work will be seen in two 2017 Louisville Photo Biennial. The first, Altered Perceptions, an LVA Photo-Biennial Exhibit at Metro Hall, runs July 17 through January 12, 2018. Some of the images we see here are featured in that show, many shot using an iPhone with a macro lens. Zeller investigates nature as an explorer, introducing her full-size human self into a world of significantly smaller scale, momentarily shrinking her sensibilities to the task.

Then she will have a solo exhibition at Swanson Contemporary entitled Aluminature, which will run September 27th- October 28th, with an Artist’s reception the evening of October 6th, 2017.

Hometown: Louisville, Kentucky
Age: 44
Education: BA in Art Administration, University of Kentucky; attended photography classes, Florida Keys Community College
Website: http://www.jennyzeller.com/

"Fallen" by Jenny Zeller, 8.5x8.5in, digital photograph, encaustic and modeling impasto waxes, oil pastels and image transfer on board

"Fallen" by Jenny Zeller, 8.5x8.5in, digital photograph, encaustic and modeling impasto waxes, oil pastels and image transfer on board

"Florida Reflected" by Jenny Zeller, 30.5x31.5in, digital image transfers and oil paint on custom made aluminum substrate

"Florida Reflected" by Jenny Zeller, 30.5x31.5in, digital image transfers and oil paint on custom made aluminum substrate

"HerLand" by Jenny Zeller, 24x24in, dye sublimanation print on aluminum

"HerLand" by Jenny Zeller, 24x24in, dye sublimanation print on aluminum

Written by Keith Waits. Entire contents copyright © 2017 Louisville Visual Art. All rights reserved.

Are you interested in being on Artebella?  Click here  to learn more.

Are you interested in being on Artebella? Click here to learn more.

Painting

Vignette: Sabra Crockett


“There seems to be a vacuous spiritual sense in our society.” — Sabra Crockett


Artist, Sabra Crockett

Artist, Sabra Crockett

Artists have painted nature and animals since the cave paintings at Lascaux, France. Those early renderings are documents of time: season by season, lifetime by lifetime, they are the first recorded history; but over the ages of time artists moved away from sociology and began capturing the complex beauty of other species as a means of expressing a reverence for nature. Art was also used to recognize the divine, and the natural world was often where they found it.

These paintings by Sabra Crockett are well-observed studies of specific birds, but they are placed in specific, idiosyncratic visual context for the purpose of conjuring a spiritual connection. The artist explains:

"Deception" by Sabra Crockett, 8x10in, acrylic and metal leaf on canvas (2017)

"Deception" by Sabra Crockett, 8x10in, acrylic and metal leaf on canvas (2017)

“My goal is to be a mechanism for shifting people's awareness towards nature. I believe that we have become disassociated with nature, therefore becoming disassociated with ourselves. There seems to be a vacuous spiritual sense in our society. Religion has become a sense of identity, rather than a transcendent self-discovery, and tuning into the higher self. Personally, connecting with nature has always been my way of connecting to the divine. Now I feel that our beautiful parks, wildlife, and habitats are being threatened even more. It feels like an assault these days. So I focus on imagery for people to create a connection with our natural world in hopes there will be a connection within themselves.”

"Exaltation" by Sabra Crockett, 12x12in, acrylic metal leaf venetian plaster on board (2017)

"Exaltation" by Sabra Crockett, 12x12in, acrylic metal leaf venetian plaster on board (2017)

In January 2017, Crockett was a recipient of a Great Meadows Foundation Professional Development Grant, and currently is a participant in Gridworks Revisited, Lexington, KY. She will open a solo show on March 31 at Downtown Pilates, Louisville, KY, and will be included in SALON International, in New York City April 12 -16. Summer will bring exhibits at Dragon King's Daughter in May, and at Evolving Gallery in June, both in Louisville.

Hometown: Rochester, New York
Age: 43
Education: BFA, Rochester Institute of Technology
Website: http://www.sabralynne.com

"Judgement" by Sabra Crockett, 10x8in, acrylic and copper leaf on canvas (2016)

"Judgement" by Sabra Crockett, 10x8in, acrylic and copper leaf on canvas (2016)

"Pride" by Sabra Crockett, 8x10in, acrylic and plaster on canvas (2016)

"Pride" by Sabra Crockett, 8x10in, acrylic and plaster on canvas (2016)

"Balance" by Sabra Crockett, 8x10in, acrylic and metal leaf on canvas (2017)

"Balance" by Sabra Crockett, 8x10in, acrylic and metal leaf on canvas (2017)

Written by Keith Waits. Entire contents copyright © 2017 Louisville Visual Art. All rights reserved. 

Are you interested in being on Artebella?    Click here    to learn more.

Are you interested in being on Artebella? Click here to learn more.

Painting, Photography, Mixed Media, Digital

Vignette: Jacqlynn Hamilton


“Creating art evokes an emotional catharsis, and encourages emotional rejuvenation and transformation.” – Jacqlynn Hamilton


Hamilton in her studio.

Hamilton in her studio.

All art might be described to some degree as therapeutic; if an individual feels compelled to create, how could it not? The creative process always channels energy and reveals the character of the artist. Yet sometimes making art is an acutely self-aware journey of healing for both the artist, and the community that they reach. This is certainly the case for Jacqlynn Hamilton.

“I strive to incorporate the essence of aesthetic splendor visually, while displaying to the viewer what may be seen as slightly psychologically dark personal narrative. I cultivate eternal psychological images within my paintings in hopes to link the viewer to a personal introspection. By incorporating several levels of meaning, I hope can relate to work, yet still take away some notion of intrigue and ambiguity.”

“I also endeavor to include elements of womanhood conveyed in prescribed female gender roles, including being a daughter, sister, wife and mother. Symbols form most of the distinctive layers of psychological meaning. My intention is to try to incorporate symbolic meaning to as many objects within the piece, while maintaining an aesthetically pleasing visual whole; thus, allowing the piece to be appreciated on several different levels.“

"Angel" by Jacqlynn Hamilton, 8.5x11in, digitally manipulated photographic & mixed media (2017) $125 |  BUY NOW

"Angel" by Jacqlynn Hamilton, 8.5x11in, digitally manipulated photographic & mixed media (2017) $125 | BUY NOW

"White Rabbit (3 of 3)" by Jacqlynn Hamilton, 8.5x11in, blind embossing print (2016) $175 |  BUY NOW

"White Rabbit (3 of 3)" by Jacqlynn Hamilton, 8.5x11in, blind embossing print (2016) $175 | BUY NOW

Hamilton has spent several years working on a series titled, The Island of My Own Creation, which together forms a personal narrative depicting the realm of psychological disassociation. “Dissociation is a psychological coping mechanism to help minimize or tolerate conflict and stress in the outside world. The act of daydreaming is a mild form of dissociation, and the phenomena can even lead an individual to altered states of consciousness.”

In 2016, Hamilton was included in two exhibits at Kaviar Forge and Gallery, Kentucky Printmaking and Touched With Fire.

Hometown: Sarasota, Florida
Age: 38
Education: Fine Arts, Ringling College of Art, 2000; Fine Arts, JCTS (Louisville), 2012; Major in Fine Arts, University of Louisville’s Hite Institute
Website: http://jacq2di.wix.com/artist-painter

"Treva" by Jacqlynn Hamilton, 8.5x11in, digitally manipulated photographic image (2017) $125 |  BUY NOW

"Treva" by Jacqlynn Hamilton, 8.5x11in, digitally manipulated photographic image (2017) $125 | BUY NOW

"The White Rabbit" by Jacqlynn Hamilton, 48x48in, acrylic on panel board (2016) $875 |  BUY NOW

"The White Rabbit" by Jacqlynn Hamilton, 48x48in, acrylic on panel board (2016) $875 | BUY NOW

"Treva Blue" by Jacqlynn Hamilton, 8.5x11in, digitally manipulated photographic image (2017) $125 |  BUY NOW

"Treva Blue" by Jacqlynn Hamilton, 8.5x11in, digitally manipulated photographic image (2017) $125 | BUY NOW

"Her Brother" by Jacqlynn Hamilton, 11x17in, acrylic and mixed media (2016) $350 |  BUY NOW

"Her Brother" by Jacqlynn Hamilton, 11x17in, acrylic and mixed media (2016) $350 | BUY NOW