Painting

Vignette: Corie Neumayer

 “August at the River” by Corie Neumayer, Acrylic, Latex on canvas, 16x20in, $275

“August at the River” by Corie Neumayer, Acrylic, Latex on canvas, 16x20in, $275

Corie Neumayer is an accomplished woman, but she has a soft-spoken and unassuming demeanor that doesn’t automatically claim much for herself. It is not an unusual quality to find in a visual artist, and even more common for women creatives. That painters tend to be introverts is a cliché, certainly, but the truth that is the foundation for that stereotype is that artists look inward and outward on different terms than others.

 “Ripples Canvas” by Corie Neumayer, Torn fabric glued to canvas, then painted, 18x 24in, 2018, $400

“Ripples Canvas” by Corie Neumayer, Torn fabric glued to canvas, then painted, 18x 24in, 2018, $400

Neumayer describes herself as a painter, “…who creates abstracted paintings of the landscape that focus on open spaces: desserts, mountains, lakes, small towns as well as my local countryside. My current work reflects the now fleeting beauty of our environment and the uneasiness caused by the changes in our climate.”

So while she looks outward for her subject, the inward perspective is expressed in the that balance of abstract and representational, a tension born of the artist’s forensic examination of the environment. Breaking everything down into geographic elements and using color and texture less to define space and form than to suggest those relationships. It underscores that there is often a thin line between descriptions and categories in art. Neumayer’s paintings are representational, and thus traditional, but abstract and conceptual, intellectual and emotional.

“I work mainly in acrylic and latex because it is so versatile. It dries quickly so the surprises of layering paint, or paper, cloth or almost anything else can be experienced almost immediately, and it lends itself to endless experimentation.”

In that statement the artist confirms the itch for discovery, but there is also a great pleasure in the tactile surface quality that documents the painter’s hand. The impasto crafted from brush, knife, and perhaps other tools, give a visceral kick to the viewer – paint is always seductive, has recently given way to a collage-like layering of canvas material.. 

On September 29, Neumayer will be part of the Louisville Visual Art’s Juried Exhibit in the 2018 Portland Art & Heritage Fair. The exhibit will be available for viewing at the Marine Hospital from 11am-5pm. Jury prizes will be awarded at 2:00pm.

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Hometown: Louisville, Kentucky
Education: MA in Teaching, University of Louisville; BA, Georgetown College (Georgetown Kentucky); also attended Savannah College of Art and Design (Savannah, Georgia), California State University-Long Beach, and St. Cloud College (St. Cloud, Minnesota)
Gallery Representative: Pyro Gallery
Website: www.corieneumayerpaintings.com

Scroll down for more images

 “Hot September” by Corie Neumayer, Acrylic, latex on canvas, 20x24in, 2018, $450.

“Hot September” by Corie Neumayer, Acrylic, latex on canvas, 20x24in, 2018, $450.

 “Tree Line” by Corie Neumayer, Paper, acrylic, latex paint on canvas, 18x24in, 2018, $400

“Tree Line” by Corie Neumayer, Paper, acrylic, latex paint on canvas, 18x24in, 2018, $400

 “River Snow Latex”, Acrylic on canvas, Paint applied with rollers and brushes 24x30in, 2018, $600

“River Snow Latex”, Acrylic on canvas, Paint applied with rollers and brushes 24x30in, 2018, $600


Written by Keith Waits. Entire contents copyright © 2018 Louisville Visual Art. All rights reserved. In addition to his work at the LVA, Keith is also the Managing Editor of a website, Arts-Louisville.com, which covers local visual arts, theatre, and music in Louisville.

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