Painting, Print Making

Vignette: Adrienne Miller

Artist, Adrienne Miller

Artist, Adrienne Miller

The Community Foundation of Louisville, in partnership with Louisville Visual Art, has presented Louisville-based artist and printmaker, Adrienne Miller, with the fifth annual Mary Alice Hadley Prize for Visual Art. The $5,000 award is an opportunity for local artists to enhance their careers through a targeted enrichment experience.

Miller will use the prize to research the landscape and art historical influence of the Four Corners area of the American Southwest. The two week trip will cover close to 2,000 miles in a loop through the Four Corners region and will include a variety of stops, including several different pueblo ruin sites, printmaking studios in Albuquerque, The Georgia O’Keefe museum and archives, several National Parks, energy vortexes in Sedona, and several large earth works in the region.

"Keep Out/ Stay In" by Adrienne Miller, 16x20in, acrylic gouache and colored pencil on mylar (2016), $600 | BUY NOW

"Keep Out/ Stay In" by Adrienne Miller, 16x20in, acrylic gouache and colored pencil on mylar (2016), $600 | BUY NOW

“I want the experience to be transformative and immersive so that I come away feeling as though the experience really was a tipping point for me,” said Miller of the Hadley Prize enrichment experience. “I want to return to Louisville renewed to create a whole new body of work.”

"Come With Me Into The Void" by Adrienne Miller, 16x20in, acrylic gouache and colored pencil on mylar (2016)

"Come With Me Into The Void" by Adrienne Miller, 16x20in, acrylic gouache and colored pencil on mylar (2016)

Miller’s images are hybrids of the representational and abstract that explore the human experience of constructed space. “Within the tradition of landscape art, the term picturesque refers to a view where the human presence is apparent,” states Miller. “We are often presented with a view or vista for our consideration. When viewing a landscape we are allowed to be objective, but when viewing ourselves, does that perspective change?”

“Within the delicacy of the Mylar drawings, I am beginning to break apart the environments into tiny details such as potted plants, ladder rungs, or the tilt of a roof line. For me, the landscape I embody on a daily basis is the idea of the home, an interior and much more intimate space. In some, the details explain a building interior while in others it appears to be just outside, similar to a residential yard space. The fluttering of the Mylar layers serves to remind the viewer of the constant state of change these sort of psychologically charged places experience. Through changes in perspective and unrealistic coexistence, the work encourages the viewer to address their own environments as well as themselves.”

"Man Made Islands" by Adrienne Miller, 32x40in, acrylic gouache and colored pencil on mylar (2017), $1200 | BUY NOW

"Man Made Islands" by Adrienne Miller, 32x40in, acrylic gouache and colored pencil on mylar (2017), $1200 | BUY NOW

The $5,000 M.A. Hadley Prize is awarded from the George and Mary Alice Hadley Fund at the Community Foundation of Louisville. The endowment was established in 1991, and it supports the arts and humanities, particularly visual arts, crafts, theater and the Louisville Free Public Library. The award is a partnership between the Community Foundation of Louisville and Louisville Visual Art, which managed the application process.

Hometown: Memphis, Tennessee
Education: BFA, Studio Art with an emphasis in Photography, Murray State University / MFA, Studio Art with an emphasis in Printmaking, Northern Illinois University
Website: http://www.adrienne-miller.com/
Instagram: https://www.instagram.com/ay_dree_un/

"Man Made Islands (detail)" by Adrienne Miller,

"Man Made Islands (detail)" by Adrienne Miller,

"Maintaining the Overgrowth" by Adrienne Miller, 32x40in, acrylic gouache and colored pencil on mylar (2017), $1200 | BUY NOW

"Maintaining the Overgrowth" by Adrienne Miller, 32x40in, acrylic gouache and colored pencil on mylar (2017), $1200 | BUY NOW

Written by Keith Waits. Entire contents copyright © 2017 Louisville Visual Art. All rights reserved.

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Drawing, Painting, Sculpture

Vignette: Bailey Roman


“I understand the rules that have been presented to me, take the previous results into account, then more-or-less throw them out.” – Bailey Roman


Artist, Bailey Roman

Artist, Bailey Roman

Looking at the work of Bailey Roman raises a question: are these faces, with their contorted, lopsided visage, a deliberate deconstruction of conventional beauty? They are certainly distinctive and full of character, personalities that feel pulled from the fringe of society, malformed outcasts demanding our compassion.

Roman juxtaposes self-awareness and subconscious feelings against modern societal standards. “I also tend to take a lot of idioms way more seriously than their original intent; for example, in the past I have used the phrase ‘the lights are on but nobody’s home’ and used it as commentary for society’s various criticisms and standards for intelligence.”

"It's Only The Second Semester and I'm Already Emotionally Exhausted; Maybe I Should Eat a Burrito" by Bailey Roman, 24x24in, oil on canvas (2017)

"It's Only The Second Semester and I'm Already Emotionally Exhausted; Maybe I Should Eat a Burrito" by Bailey Roman, 24x24in, oil on canvas (2017)

“I draw influence from German Expressionism, Post Impressionism, contemporary media and, most importantly, the greats from stop motion puppet fabricators such as Francesca Berlingieri Maxwell and Henry Selick. More recently, I have been stretching the boundaries of what my chosen mediums. I understand the rules that have been presented to me, take the previous results into account, then more-or-less throw them out to see what new two dimensional effects, tactical textures, and interactions the viewer can have with my work.”

“In ‘Logan’, I use the polygons as a tool to highlight the first things the viewer would typically notice from the piece. I also take the liberty of using influences from both Pop Art and Golden Age comic book art. I use the two periods and place them into a more contemporary anatomical study.”  

"Anubis, The Dragonfly and the Warrior" by Bailey Roman, 15x7x10in, ceramic and glaze (2017)

"Anubis, The Dragonfly and the Warrior" by Bailey Roman, 15x7x10in, ceramic and glaze (2017)

Roman is featured in From the Sculptures That Look Like Drawings series at The Tim Faulkner Gallery, and she will be included in Louisville Artisan Guild's 44th annual exhibit From the Soul of the Artist that will be held at Kore Gallery July 5 through July 30. There will be an Artist Reception July 13th, 6 – 8 pm.

Age: 19
Hometown: Louisville, Kentucky
Education: Ballard High School (honors program graduated 2016) Murray State University (Studio Art major, currently working on my Bachelor of Fine Arts with a minor in art history)
Gallery Representation: The Tim Faulkner Gallery
Social Media: https://www.facebook.com/RamRenard/

"Touch Of Death" by Bailey Roman, 14x14x14in, ceramic, acrylic, plaster (2015), $315 | BUY NOW

"Touch Of Death" by Bailey Roman, 14x14x14in, ceramic, acrylic, plaster (2015), $315 | BUY NOW

"Logan" by Bailey Roman, 22x28in, ceramic and glaze (2016)

"Logan" by Bailey Roman, 22x28in, ceramic and glaze (2016)

"GPF" by Bailey Roman, 9x9.5x11in, ceramic and glaze (2017)

"GPF" by Bailey Roman, 9x9.5x11in, ceramic and glaze (2017)

"Day N Night" by Bailey Roman, 11x14in, ink on paper (2017)

"Day N Night" by Bailey Roman, 11x14in, ink on paper (2017)

Written by Keith Waits. Entire contents copyright © 2017 Louisville Visual Art. All rights reserved.

Are you interested in being on Artebella? Click here to learn more.

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Painting

Vignette: Cheryl Buhrman


The dream of making art becomes a reality.


Painter, Cheryl Buhrman

Painter, Cheryl Buhrman

“Beauty in nature is everywhere you look!” exults Cheryl Buhrman. “That is where I get my inspiration, and through the use of color and composition on my canvas I hope to portray my connection with all living things.”

Burhman has explored a wide range of subject matter, but has recently been working on a floral series. Like so many artists who explore such imagery, she finds the power of flowers as symbols for life and reproduction, finding these inherent qualities not through overt or pretentious awareness, but through a concentration on the delicacy of the form, petals enveloping the stamen, pistil and ovary of the plant. The idea of a flower representing femininity has long since entered the realm of cliché, but there is truth in every trope, and if the balance of strength and vulnerability expressed in “Orange Delight,” “Georgia On My Mind, or ”White Rose” is any indication, Buhrman has discovered that truth for herself.

"Georgia on My Mind" by cheryl Buhrman, 18x24in, acrylic on canvas (2017), $275 | BUY NOW

"Georgia on My Mind" by cheryl Buhrman, 18x24in, acrylic on canvas (2017), $275 | BUY NOW

“Although I taught art for several years, life got in the way and after working for 30 years in a job that wasn't my dream, my dream became a reality in retirement when I decided to start painting! I hope my paintings will fill some people with the joy that it's given me!”

Buhrman studied under Wine Kemple Harrison, Elizabeth Dawn Johnson, and Susan Tolliver, is a member of LVA, and in 2016 became a juried member of the Louisville Artisan Guild in acrylics. She just appeared at the Butchertown Art Fair in June, and will be at The Highlands Festival Sept 9, and Holiday Showcase in November 2017.

Name: Cheryl Buhrman
Hometown: Roanoke, Virginia
Education: BS, Art Education Longwood University, Farmville, Virginia.
Website: http://www.dailypaintworks.com/artists/cherylbuhrman

"Spring Garden" by Cheryl Buhrman, 24x12in, acrylic on canvas (2017), $185 | BUY NOW

"Spring Garden" by Cheryl Buhrman, 24x12in, acrylic on canvas (2017), $185 | BUY NOW

"Blue Iris" by Cheryl Buhrman, 12x24in, acrylic on canvas (2017), $185 | BUY NOW

"Blue Iris" by Cheryl Buhrman, 12x24in, acrylic on canvas (2017), $185 | BUY NOW

"White Rose" by Cheryl Buhrman, 18x24in, acrylic on canvas (2017), $250 | BUY NOW

"White Rose" by Cheryl Buhrman, 18x24in, acrylic on canvas (2017), $250 | BUY NOW

"Orange Delight" by cheryl Buhrman, 16x8in, acrylic on canvas (2016), $95 | BUY NOW

"Orange Delight" by cheryl Buhrman, 16x8in, acrylic on canvas (2016), $95 | BUY NOW

Written by Keith Waits. Entire contents copyright © 2017 Louisville Visual Art. All rights reserved.

Are you interested in being on Artebella? Click here to learn more.

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Painting

Vignette: Susan Dworkin


“You must open yourself to communing with the desires of the paint and flow with it.” Susan Dworkin


"Tangled Up In Blue" by Susan Dworkin, 32x24in, vinegar paint (2015)

"Tangled Up In Blue" by Susan Dworkin, 32x24in, vinegar paint (2015)

Susan Dworkin has been experimenting with colonial painting techniques for fourteen years. Her current endeavor is adapting vinegar painting from its traditional use on flat wooden surfaces to other mediums. Historically used as a means of making common and inexpensive woods appear to be more valuable materials, such as metal, Dworkin experiments with the technique to create unique abstract compositions.

To date, she remains one of the pioneers in this venture, continually exploring and adapting the technique via artist board, foam core, metal, paper, glass, and mirror. “The nature of vinegar paint produces a multilayered spectrum of color that combines elements of impressionism, surrealism and lyrical abstractionism, explains Dworkin. “To work with this medium you must open yourself to communing with the desires of the paint and flow with it.” Her paintings are suggestive of rich landscapes and fantasy realms that allow the viewer to formulate their own personal vision. In one of her previous lives, Dworkin was a private estate gardener in Rhode Island and Massachusetts and finds color inspiration from those gardens and settings, as well as her many travels. She has lived in Lexington, Kentucky since 1989.

"Joy" by Susan Dworkin, 15x12in, vinegar paint (2017)

"Joy" by Susan Dworkin, 15x12in, vinegar paint (2017)

2017 has been a busy year for Dworkin, with solo exhibits at The Bar Complex, and the Hunt Morgan House, Bluegrass Trust for Historic Preservation, both in Lexington, Kentucky, and for the month of September she will have another solo show at the John G. Irvin Gallery, also in Lexington. In April 2018 she will be part of a group exhibit at ArtConnects in Lexington.

Dworkin has work in private collections in Lexington, KY, Chicago, IL, St. Petersburg, FL, and Tryon, NC.

Hometown: Lexington, Kentucky
Education: BA, Roger Williams University, Bristol, RI
Social Media: www.facebook.com/DesignsbyDworkin 

Written by Keith Waits. Entire contents copyright © 2017 Louisville Visual Art. All rights reserved.

"Toska" by Susan Dworkin, 28x23in, vinegar paint (2017), $650| BUY NOW

"Toska" by Susan Dworkin, 28x23in, vinegar paint (2017), $650| BUY NOW

"Play" by Susan Dworkin, 25x37in, vinegar paint (2017), $650 | BUY NOW

"Play" by Susan Dworkin, 25x37in, vinegar paint (2017), $650 | BUY NOW

"The Call" by Susan Dworkin, 33x27in, vinegar paint (2017), $850 | BUY NOW

"The Call" by Susan Dworkin, 33x27in, vinegar paint (2017), $850 | BUY NOW

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Drawing

Vignette: Michael McCardwell


As The Eyes Close We Lose Sight – from Michael McCardwell’s “The Death Snake.”


"The Death Snake" by Michael McCardwell, 18x24in, ink and colored pencils (2017), $350 | BUY NOW

"The Death Snake" by Michael McCardwell, 18x24in, ink and colored pencils (2017), $350 | BUY NOW

Michael McCardwell’s drawings are dense in their collective linear construction yet loose enough to clearly communicate the fantastical imagery. The artist plays with our expectations by drafting forms that are highly suggestive of spaceships – science fiction forms from a bygone era in which stalwart heroes with bulbous ray guns occupied the galaxy. His forms conjoin to form larger, interconnected spaces, and at times, a long, snake-like shape. It all seems very playful.

Yet can we be absolutely certain of what McCardwell has on his mind? The use of clearly defined line and shape in virtually every square inch of the field is also a formal academic exercise in composition, and in “The Death Snake,” his statement considers mortality in stages reminiscent of Shakespeare or Elizabeth Kubler-Ross. Either way, there is an almost giddy emotional quality to these pieces, and perhaps the one certainty is that, even in the darker themes, this artist seems to find joy in his work.

"Orange Cross" by Michael McCardwell, 18x24in, ink and colored pencils (2017), $350 | BUY NOW

"Orange Cross" by Michael McCardwell, 18x24in, ink and colored pencils (2017), $350 | BUY NOW

Besides being a studio art and humanities teacher for 27 years at Henry County High School, McCardwell has taught art at the Kentucky Community and Technical College System campus in Shelbyville, Spalding University in Louisville, at the former Shelbyville branch of Lindsey Wilson College, and taught basic skills such as reading, math and English at the Kentucky State Reformatory in La Grange. He was twice a National Endowment for the Humanities Fellow.

McCardwell has work in private collections in the United States, Europe and Japan, and has been accepted into juried shows in California, Ohio, Illinois, Tennessee and Kentucky.

Hometown: Shelbyville, Kentucky
Education: BFA Murray State University, Kentucky, 1971; MA (Drawing), Morehead State University, Kentucky, 1974

"Shadow" by Michael McCardwell, 18x24in, ink and colored pencils (2017), $350 | BUY NOW

"Shadow" by Michael McCardwell, 18x24in, ink and colored pencils (2017), $350 | BUY NOW

"YHWA" by Michael McCardwell, 18x24in, ink and colored pencils (2017), $350 | BUY NOW

"YHWA" by Michael McCardwell, 18x24in, ink and colored pencils (2017), $350 | BUY NOW

"Picture" by Michael McCardwell, 18x24in, ink and colored pencils (2017), $350 | BUY NOW

"Picture" by Michael McCardwell, 18x24in, ink and colored pencils (2017), $350 | BUY NOW

Written by Keith Waits. Entire contents copyright © 2017 Louisville Visual Art. All rights reserved.

Are you interested in being on Artebella? Click here to learn more.

Are you interested in being on Artebella? Click here to learn more.